Publications
2021
Des vêtements qui voyagent bien ? Traduisibilité des habits allégoriques, du Parement et triomphe des dames au Triumphe ende ’t palleersel van den vrouwen
Dixon, R., & Armstrong, A. (n.d.). Des vêtements qui voyagent bien ? Traduisibilité des habits allégoriques, du Parement et triomphe des dames au Triumphe ende ’t palleersel van den vrouwen. Cahiers de Recherches M�di�vales et Humanistes.
2017
The Blind Leading the Blind? Choreographing the Transcultural in Pierre Michault's La Dance aux Aveugles and Gheraert Leeu's Van den drie Blinde Danssen'
Dixon, R. (2017). The Blind Leading the Blind? Choreographing the Transcultural in Pierre Michault's La Dance aux Aveugles and Gheraert Leeu's Van den drie Blinde Danssen'. In A. Armstrong, & E. Strietman (Eds.), The Multilingual Muse: Transcultural Poetics in the Burgundian Netherlands (pp. 149-161). Oxford: Legenda. Retrieved from http://www.mhra.org.uk/publications/Multilingual-Muse
2016
'Codex and Consumption. Adaptation and Lifestyle Aspiration in the Burgundian Fille du comte de Pontieu'
Dixon, R. (2016). 'Codex and Consumption. Adaptation and Lifestyle Aspiration in the Burgundian Fille du comte de Pontieu'. Queeste. Journal of medieval literature in the Low Countries, 23(2), 138-153. Retrieved from https://queeste.verloren.nl/
'Reading Defacement: Labels, Illustration, and Intervention in the Roman de Buscalus (BnF, ms fr. 9343-9344)'
Dixon, R. (2016). 'Reading Defacement: Labels, Illustration, and Intervention in the Roman de Buscalus (BnF, ms fr. 9343-9344)'. In J. Buskirk, & S. Mareel (Eds.), The Aura of the Word in the Early Age of Print (1450-1600) (pp. 14-24). Abingdon: Routledge. Retrieved from https://www.routledge.com/
2015
Parody in the Burgundian Roman de Buscalus
Dixon, R. (2015). Parody in the Burgundian Roman de Buscalus. Cahiers de recherches médiévales et humanistes, (30), 421-440. doi:10.4000/crm.13904
Text/Image Relations in Late Medieval France (14th c. - 16th c.)
Dixon, R., & Brown-Grant, R. (2015). Text/Image Relations in Late Medieval France (14th c. - 16th c.). R. Brown-Grant, & R. Dixon (Eds.), Turnhout: Brepols.
The Roman de Buscalus; or, the art of not being French
Dixon, R. (2015). The Roman de Buscalus; or, the art of not being French. In R. Brown-Grant, & R. Dixon (Eds.), Text/image Relations in Late Medieval French and Burgundian Culture (Fourteenth-Sixteenth Centuries) (pp. 105-122). Turnhout: Brepols. Retrieved from http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503553184-1
2014
'Consuming the Past and Dressing the Stage in the Burgundian Roman de Florimont: Codex, Costume, and Courtly Aspiration'
Dixon, R. (2014). 'Consuming the Past and Dressing the Stage in the Burgundian Roman de Florimont: Codex, Costume, and Courtly Aspiration'. In C. Gerbea, L. Hablot, & R. Radulescu (Eds.), Marqueurs de l'individu et de la famille d'identité dans la littérature médiévale (XIIe-XVe siècles). Turnhout: Brepols. Retrieved from http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503551364-1
2013
Enigma as Display in the Fifteenth-Century<i>Chastellain de Coucy</i>: Veiled Performances
Dixon, R. (2013). Enigma as Display in the Fifteenth-Century<i>Chastellain de Coucy</i>: Veiled Performances. Speculum, 88(1), 215-246. doi:10.1017/s0038713413000559
2012
Constructing Destruction: Knowledge, Poetry, and the Liège Revolts (1467-68)
Dixon, R. (2012). Constructing Destruction: Knowledge, Poetry, and the Liège Revolts (1467-68). Revue belge de philologie et d'histoire, 90(3), 1053-1070. doi:10.3406/rbph.2012.8275
2011
Knowing Poetry. Verse in France from the Rose to the Rhétoriqueurs (contribution)
Dixon, R. (2011). Knowing Poetry. Verse in France from the Rose to the Rhétoriqueurs (contribution). In A. Armstrong, & S. Kay (Eds.), Knowing Poetry. Verse in France from the Rose to the Rhétoriqueurs (pp. 256 pages). Ithaca: Cornell University Press.
2010
Essays in later medieval French literature: the legacy of Jane H.M. Taylor
Dixon, R. (Ed.) (2010). Essays in later medieval French literature: the legacy of Jane H.M. Taylor. Manchester: Manchester University Press.
2009
Allégorie et construction de mythes chez Michault Taillevent : le <i>Songe de la Th oison d’Or</i>
Dixon, R. (2009). Allégorie et construction de mythes chez Michault Taillevent : le <i>Songe de la Th oison d’Or</i>. Le Moyen Français, 64, 67-84. doi:10.1484/j.lmfr.1.100369
2008
The Fabric of Society: Textile and Metatextual Imitation in the Burgundian "Cligès" (1454)
Dixon, R. (2008). The Fabric of Society: Textile and Metatextual Imitation in the Burgundian "Cligès" (1454). The Modern Language Review, 103(2), 397. doi:10.2307/20467780
Poetry, Knowledge and Community in Late Medieval France
Dixon, R., & Sinclair, F. E. (Eds.) (2008). Poetry, Knowledge and Community in Late Medieval France. Cambridge: DS Brewer.
2007
'The Wedding Reception: Rewriting the Ideological Challenge in the Prose Cligés'
Dixon, R. (2007). 'The Wedding Reception: Rewriting the Ideological Challenge in the Prose Cligés'. Cahiers de recherches médiévales, 14, 315-326.
HOMS SUI JE, DAME, VRAIEMENT’: SEX, CHIVALRY AND IDENTITY IN JEHAN D'AVENNES
Dixon, R. (2007). HOMS SUI JE, DAME, VRAIEMENT’: SEX, CHIVALRY AND IDENTITY IN JEHAN D'AVENNES. French Studies, 61(2), 141-154. doi:10.1093/fs/knm063
2006
A CONSOLATORY ALLUSION IN JEAN MOLINET'S LE NAUFRAGE DE LA PUCELLE (1477)
Dixon, R. (2006). A CONSOLATORY ALLUSION IN JEAN MOLINET'S LE NAUFRAGE DE LA PUCELLE (1477). French Studies Bulletin, LX(101), 96-98. doi:10.1093/frebul/ktl036