Publications
Selected publications
- Photography: The Unfettered Image (Book - 2018)
- Museum Media, Vol 3. of The International Handbooks of Museum Studies (Book - 2015)
- 'Some Slight Eruptive Disease’: Victorian Verisimilitude in Photography and Plastercasting (Chapter - 2023)
- “Kind of Blue: Social Media Photography and Emotion” (Journal article - 2022)
- Feeling Photos: photography, picture language and mood capture (Chapter - 2021)
- That Liking Feeling: Mood, Emotion and Social Media Photography (Chapter - 2021)
- Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash (Journal article - 2021)
- The worlding of light and air: Dufaycolor and Selochrome in the 1930s (Journal article - 2020)
- The Floating Face: Garbo, Photography and Death Masks (Journal article - 2017)
2024
Photography's Other Sensitivities
Henning, M. (2024). Photography's Other Sensitivities. Media Theory, 8(1), 79-106. Retrieved from https://journalcontent.mediatheoryjournal.org/index.php/mt/issue/view/38
From Bauhaus to Bloomsbury
Henning, M. (2024). From Bauhaus to Bloomsbury. In J. Troeller (Ed.), Lucia Moholy: Exposures (pp. 204-208). Prague: Kunthalle Praha / Hatje Cantz.
Lucia Moholy and the Isotype Institute
Henning, M. (2024). Lucia Moholy and the Isotype Institute. In J. Troeller (Ed.), Lucia Moholy: Exposures (pp. 190-195). Prague: Kunsthalle Praha / Hatje Cantz.
Keeping Out the Fog
Henning, M. (2024). Keeping Out the Fog. Photoresearcher, (41).
Take Me to the River: Place and Material in Visual Culture
Henning, M. (n.d.). Take Me to the River: Place and Material in Visual Culture. Visual Culture in Britain, 1-6. doi:10.1080/14714787.2024.2428072
2023
'Some Slight Eruptive Disease’: Victorian Verisimilitude in Photography and Plastercasting
Henning, M. (2023). 'Some Slight Eruptive Disease’: Victorian Verisimilitude in Photography and Plastercasting. In M. Bol, & E. C. Spary (Eds.), The Matter of Mimesis (Vol. 7, pp. 321-342). Leiden: Brill. Retrieved from https://brill.com/display/title/39052?language=en
2022
“Kind of Blue: Social Media Photography and Emotion”
Henning, M. (2022). “Kind of Blue: Social Media Photography and Emotion”. Digital Culture and Society, 7. doi:10.14361/dcs-2021-070203
2021
That Liking Feeling: Mood, Emotion and Social Media Photography
Henning, M. (2021). That Liking Feeling: Mood, Emotion and Social Media Photography. In K. Parry, & J. Lewis (Eds.), Ubiquity: Photography's Multitudes (pp. 225-243). Leuven: University of Leuven Press.
"What Moves? The Itineraries of Pre-digital Photography"
Henning, M. (2021). 9. What Moves? The Itineraries of Pre-Digital Photography. In Edition Medienwissenschaft (pp. 189-208). transcript Verlag. doi:10.14361/9783839452462-009
Light sensitive material: an introduction
Henning, M., & Mikuriya, J. T. (2021). Light sensitive material: an introduction. photographies, 14(3), 381-394. doi:10.1080/17540763.2021.1962230
Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash
Henning, M. (n.d.). Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash. History of Photography, 44(4).
Feeling Photos: photography, picture language and mood capture
Henning, M. (2021). Feeling Photos: photography, picture language and mood capture. In J. Parikka, & T. Dvorak (Eds.), Photography Off the Scale: Technologies and Theories of the Mass Image. Edinburgh: Edinburgh University Press.
“Lucia Moholy and the Impact of German Photography History in Britain”
Henning, M. (2021). “Lucia Moholy and the Impact of German Photography History in Britain”. In L. Wasensteiner (Ed.), Sites of Interchange: Modernism, Politics, and Culture in Britain and Germany, 1919-1951. Oxford: Peter Lang.
2020
“Bristol Mixes: Underground Music, Identity and the City”
Henning, M., & Hyder, R. (2020). “Bristol Mixes: Underground Music, Identity and the City”. In J. Hossfeld (Ed.), Ten Cities: Clubbing in Africa and Europe, 1960 - Present. Leipzig: Spector.
The worlding of light and air: Dufaycolor and Selochrome in the 1930s
Henning, M. C. (n.d.). The worlding of light and air: Dufaycolor and Selochrome in the 1930s. Visual Culture in Britain. doi:10.1080/14714787.2020.1730706
2019
Of tennis courts and fireplaces: Neurath's internment on the Isle of Man and his politics of design
Henning, M. C. (2019). Of tennis courts and fireplaces: Neurath's internment on the Isle of Man and his politics of design. In A. Tuboly, & J. Cat (Eds.), Neurath Reconsidered: New Sources and Perspectives (pp. 413-434). Switzerland: Springer. doi:10.1007/978-3-030-02128-3_15
2018
Image Flow: Photography on tap
Henning, M. (2018). IMAGE FLOW. photographies, 11(2-3), 133-148. doi:10.1080/17540763.2018.1445011
Photography: The Unfettered Image
Henning, M. C. (2018). Photography: The Unfettered Image. London: Routledge. Retrieved from https://www.routledge.com/
2017
The Floating Face: Garbo, Photography and Death Masks
Henning, M. (2017). The Floating Face: Garbo, Photography and Death Masks. Photographies, 10(2), 157-178. doi:10.1080/17540763.2016.1266691
2015
Museum Media: An Introduction
Henning, M. (n.d.). Museum Media: An Introduction. In The International Handbooks of Museum Studies (pp. xxxv-lx). Wiley. doi:10.1002/9781118829059.wbihms300
Museum Media: An Introduction
Henning, M. (n.d.). Museum Media: An Introduction. Wiley. doi:10.1002/9781118829059.wbihms300
Museums and Media Archaeology: An Interview with Wolfgang Ernst
Henning, M., & Ernst, W. (n.d.). Museums and Media Archaeology: An Interview with Wolfgang Ernst. In Unknown Book (pp. 3-22). Wiley. doi:10.1002/9781118829059.wbihms301
Museum Media, Vol 3. of The International Handbooks of Museum Studies
Henning, M., Macdonald, S., & Rees Leahy, H. (Eds.) (2015). Museum Media, Vol 3. of The International Handbooks of Museum Studies. Oxford: Wiley-Blackwell.
The subject as object: Photography and the human body
Henning, M. (2015). The subject as object: Photography and the human body. In Photography: A Critical Introduction (pp. 189-230). doi:10.4324/9781315727370-12
2014
Locating the 'Bristol sound' archiving music as everyday life
Henning, M., & Hyder, R. (2014). Locating the 'Bristol sound' archiving music as everyday life. In Sites of Popular Music Heritage: Memories, Histories, Places (pp. 97-111). doi:10.4324/9780203514528
2013
With and Without Walls: Photographic Reproduction and the Art Museum
Henning, M. (n.d.). With and Without Walls: Photographic Reproduction and the Art Museum. In Unknown Book (pp. 577-602). Wiley. doi:10.1002/9781118829059.wbihms996
2011
Neurath's Whale
Henning, M. (2011). Neurath's Whale. In Unknown Book (pp. 151-168). Retrieved from https://www.webofscience.com/
Living Life In Pictures: Isotype As Modernist Cultural Practice
Henning, M. (2011). Living Life In Pictures: Isotype As Modernist Cultural Practice. New Formations, 70(70), 41-59. doi:10.3898/newf.70.03.2010
2009
Neurath, Otto (1882–1945)
Henning, M. (n.d.). Neurath, Otto (1882–1945). Wiley. doi:10.1002/9781405165518.wbeosn031
2008
Legibility and Affect: Museums as New Media
Henning, M. (2007). Legibility and Affect: Museums as New Media. In Unknown Book (pp. 25-46). Wiley. doi:10.1002/9780470696118.ch1
2007
Anthropomorphic taxidermy and the death of nature: The curious art of Hermann Ploucquet, Walter Potter and Charles Waterton
Henning, M. (2007). Anthropomorphic taxidermy and the death of nature: The curious art of Hermann Ploucquet, Walter Potter, and Charles Waterton. VICTORIAN LITERATURE AND CULTURE, 35(2), 663-678. doi:10.1017/S1060150307051704