Publications
Selected publications
- Moonlight Screening Black Queer Youth (Book - 2021)
- Women resisting terror: imaginaries of violence in Algeria (1966-2002) (Journal article - 2017)
- France, Algeria and the Moving Image Screening Histories of Violence 1963-2010 (Book - 2017)
- (UN)FAMILIAR FICTIONS: THE 17 OCTOBER 1961 MASSACRE AND JACQUES PANIJEL'S <i>OCTOBRE A PARIS</i> (1962) (Journal article - 2018)
- 'A Child of the Ruins': Youthful Disaffection and the 'Making Of' the Terrorist (Chapter - 2019)
- The terrorist as <i>ennemi intime</i> in French and Francophone cinema (Journal article - 2019)
- 'The very worst things': violence and vulnerability in Djamila Sahraoui's <i>Yema</i> (2012) (Journal article - 2019)
2023
Discomfort and Documentary Film: The Figure of the White Extremist in Deeyah Khan's <i>White Right</i>
Flood, M. (2023). Discomfort and Documentary Film: The Figure of the White Extremist in Deeyah Khan's <i>White Right</i>. In FIGURE OF THE TERRORIST IN LITERATURE AND VISUAL CULTURE (pp. 223-243). Retrieved from https://www.webofscience.com/
Introduction: The Figure of the Terrorist in Literature and Visual Culture
Flood, M., & Frank, M. C. (2023). Introduction: The Figure of the Terrorist in Literature and Visual Culture. In FIGURE OF THE TERRORIST IN LITERATURE AND VISUAL CULTURE (pp. 1-26). Retrieved from https://www.webofscience.com/
2022
The Figure of the Terrorist in Literature and Visual Culture
Flood, M., & Frank, M. (Eds.) (2022). The Figure of the Terrorist in Literature and Visual Culture (1 ed.). Edinburgh: Edinburgh University Press.
Disgust and the Image: Documentary Film and the Representation of Violent Extremists in Salafistes (2016)
Flood, M. (2022). Disgust and the Image: Documentary Film and the Representation of Violent Extremists in Salafistes (2016). In The Palgrave Handbook of Violence in Film and Media (pp. 437-455). Springer International Publishing. doi:10.1007/978-3-031-05390-0_22
Moonlight Screening Black Queer Youth Introduction
Flood, M. (2022). Moonlight Screening Black Queer Youth Introduction. In MOONLIGHT (pp. 1-4). doi:10.4324/9780429055294-101
Moonlight: Screening Black Queer Youth
Flood, M. (2022). Moonlight: Screening Black Queer Youth. Y. Tzioumakis, & S. Lincoln (Eds.), London: Routledge.
Series Editors' Introduction
Flood, M. (2022). Series Editors' Introduction. In MOONLIGHT (pp. VII-+). Retrieved from https://www.webofscience.com/
2021
Moonlight Screening Black Queer Youth
FLOOD, M. (2021). Moonlight Screening Black Queer Youth. Routledge.
<i>Moonlight</i> and Black masculinity on screen
Flood, M. (2022). <i>Moonlight</i> and Black masculinity on screen. In MOONLIGHT (pp. 18-38). doi:10.4324/9780429055294-2
<i>Moonlight</i> as Queer Cinema
Flood, M. (2022). <i>Moonlight</i> as Queer Cinema. In MOONLIGHT (pp. 39-58). doi:10.4324/9780429055294-3
'A film we've been waiting for' The social and cultural contexts of <i>Moonlight</i>
Flood, M. (2022). 'A film we've been waiting for' The social and cultural contexts of <i>Moonlight</i>. In MOONLIGHT (pp. 5-17). doi:10.4324/9780429055294-1
Em pathy, universality and Black boyhood in <i>Moonlight</i>
Flood, M. (2022). Em pathy, universality and Black boyhood in <i>Moonlight</i>. In MOONLIGHT (pp. 76-94). doi:10.4324/9780429055294-5
Love and <i>Moonlight</i> Epilogue
Flood, M. (2022). Love and <i>Moonlight</i> Epilogue. In MOONLIGHT (pp. 95-96). doi:10.4324/9780429055294-6
Watching <i>Moonlight</i> Narrative, setting and symbolism
Flood, M. (2022). Watching <i>Moonlight</i> Narrative, setting and symbolism. In MOONLIGHT (pp. 59-75). doi:10.4324/9780429055294-4
How 9/11 changed cinema
Flood, M., & Michael, F. (2021). How 9/11 changed cinema. Retrieved from https://theconversation.com/how-9-11-changed-cinema-167323
2020
From Colonial Casbah to Casbah-Banlieue: Settlement and Space in Pépé le Moko (1937) and La Haine (1996)
Flood, M. (2020). From Colonial Casbah to Casbah-Banlieue: Settlement and Space in Pépé le Moko (1937) and La Haine (1996). In Cinematic Settlers (pp. 177-188). Routledge. doi:10.4324/9781003057277-14
Paris Is Postcolonial
Flood, M. (2020). Paris Is Postcolonial. Cultural Politics, 16(1), 144-146. doi:10.1215/17432197-8017403
Bombshell: Hollywood’s lukewarm attempt to get to grips with #MeToo
Flood, M. (2020). Bombshell: Hollywood’s lukewarm attempt to get to grips with #MeToo. Retrieved from https://theconversation.com/
Bombshell: Hollywood’s lukewarm attempt to get to grips with #MeToo
Flood, M. (2020). Bombshell: Hollywood’s lukewarm attempt to get to grips with #MeToo. Retrieved from https://theconversation.com/
'If there is no music, there will be no Mali’: Conflict, Documentary Film and Music as Resistance in Mali, 2012 - 2015
Flood, M. (n.d.). 'If there is no music, there will be no Mali’: Conflict, Documentary Film and Music as Resistance in Mali, 2012 - 2015. Bulletin of Francophone Postcolonial Studies, 11(2). Retrieved from https://www.dropbox.com/s/vzhsned5au1yfot/11.2%20online.pdf?dl=0
The Casbah as Colonial Chimera: Images of the Settler from Pépé le Moko to La Haine
Flood, M. (2020). The Casbah as Colonial Chimera: Images of the Settler from Pépé le Moko to La Haine. In L. Janne, & R. Weaver-Hightower (Eds.), The Casbah as Colonial Chimera Cinematic Settlers: The Settler Colonial World in Film. London: Routledge.
2019
Joker makes for uncomfortable viewing – it shows how society creates extremists
Flood, M. (2019). Joker makes for uncomfortable viewing – it shows how society creates extremists. Retrieved from https://theconversation.com/
The Day Shall Come: penetrating yet poignant Chris Morris take on the war on terror
Flood, M. (2019). The Day Shall Come: penetrating yet poignant Chris Morris take on the war on terror. Retrieved from https://theconversation.com/
Five films you need to watch to better understand radicalisation
Flood, M. (2019). Five films you need to watch to better understand radicalisation. Retrieved from https://theconversation.com/
'The very worst things': violence and vulnerability in Djamila Sahraoui's <i>Yema</i> (2012)
Flood, M. (2019). 'The very worst things': violence and vulnerability in Djamila Sahraoui's <i>Yema</i> (2012). STUDIES IN FRENCH CINEMA, 19(3), 246-264. doi:10.1080/14715880.2018.1511182
Critics and controversy: the reception of <i>Salafistes</i> (2016) in France, followed by an interview with co-director Francois Margolin
Flood, M. (2019). Critics and controversy: the reception of <i>Salafistes</i> (2016) in France, followed by an interview with co-director Francois Margolin. STUDIES IN FRENCH CINEMA, 19(3), 233-245. doi:10.1080/14715880.2018.1531337
The terrorist as <i>ennemi intime</i> in French and Francophone cinema
Flood, M., & Martin, F. (2019). The terrorist as <i>ennemi intime</i> in French and Francophone cinema. STUDIES IN FRENCH CINEMA, 19(3), 171-178. doi:10.1080/14715880.2018.1531338
'A Child of the Ruins': Youthful Disaffection and the 'Making Of' the Terrorist
Flood, M. (2019). 'A Child of the Ruins': Youthful Disaffection and the 'Making Of' the Terrorist. In R. Chareyron, & G. Viennot (Eds.), Screening Youth Contemporary French and Francophone Cinema.
Torture in Word and Image: Inhuman Acts in Resnais and Pontecorvo
Flood, M. (2019). Torture in Word and Image: Inhuman Acts in Resnais and Pontecorvo. JCMS-JOURNAL OF CINEMA AND MEDIA STUDIES, 58(3), 26-48. doi:10.1353/cj.2019.0021
2018
(UN)FAMILIAR FICTIONS: THE 17 OCTOBER 1961 MASSACRE AND JACQUES PANIJEL'S <i>OCTOBRE A PARIS</i> (1962)
Flood, M. (2018). (UN)FAMILIAR FICTIONS: THE 17 OCTOBER 1961 MASSACRE AND JACQUES PANIJEL'S <i>OCTOBRE A PARIS</i> (1962). FORUM FOR MODERN LANGUAGE STUDIES, 54(2), 157-175. doi:10.1093/fmls/cqy001
France, Algeria and the Moving Image
Flood, M. (2018). France, Algeria and the Moving Image. doi:10.2307/j.ctv16km09m
2017
Alain Resnais: Oxford Bibliographies
Flood, M. (2017). Alain Resnais: Oxford Bibliographies. Retrieved from https://www.oxfordbibliographies.com/
BRUTAL VISIBILITY: FRAMING MAJID'S SUICIDE IN MICHAEL HANEKE'S <i>CACHE</i> (2005)
Flood, M. (2017). BRUTAL VISIBILITY: FRAMING MAJID'S SUICIDE IN MICHAEL HANEKE'S <i>CACHE</i> (2005). NOTTINGHAM FRENCH STUDIES, 56(1), 82-97. doi:10.3366/nfs.2017.0169
France, Algeria and the Moving Image Screening Histories of Violence 1963-2010
Flood, M. (2017). France, Algeria and the Moving Image Screening Histories of Violence 1963-2010.
Women resisting terror: imaginaries of violence in Algeria (1966-2002)
Flood, M. (2017). Women resisting terror: imaginaries of violence in Algeria (1966-2002). JOURNAL OF NORTH AFRICAN STUDIES, 22(1), 109-131. doi:10.1080/13629387.2016.1229184
2016
Politics and the Police: Documenting the 17th October 1961 Massacre
Flood, M. (2016). Politics and the Police: Documenting the 17th October 1961 Massacre. CONTEMPORARY FRENCH AND FRANCOPHONE STUDIES, 20(4-5), 599-606. doi:10.1080/17409292.2016.1218188
Terrorism and visibility in Algeria's "black decade': <i>Des hommes et des dieux</i> (2010)
Flood, M. (2016). Terrorism and visibility in Algeria's "black decade': <i>Des hommes et des dieux</i> (2010). FRENCH CULTURAL STUDIES, 27(1), 62-72. doi:10.1177/0957155815602158
2013
Common Vulnerability: Community and its Presentation in Assia Djebar's La Nouba des Femmes du Mont Chenoua
Flood, M. (2013). Common Vulnerability: Community and its Presentation in Assia Djebar's La Nouba des Femmes du Mont Chenoua. MODERN & CONTEMPORARY FRANCE, 21(1), 73-88. doi:10.1080/09639489.2012.731386