Publications
Selected publications
- Music and Liturgy in Medieval Britain and Ireland (Book - 2022)
- Making Sense of Omnis / Habenti: (Chapter - 2020)
- High or Low? Medieval English Carols as Part of Vernacular Culture, 1380–1450 (Chapter - 2019)
- Music in the margins: Queerness in the clerical imagination, 1200-1500 (Chapter - 2018)
- Music, text and structure in 14th-century English polyphony: the case of <i>Ave miles celestis curie</i> (Journal article - 2017)
- Angel Song: Medieval English Music in History (Book - 2016)
- Gender, Age and Musical Creativity (Book - 2015)
- The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir (Journal article - 2010)
- Music in pre-Reformation York: a new source and some thoughts on the York Masses (Journal article - 2003)
- Local, Regional, National, and International Music in Late Medieval England: Evidence from East Anglia (Chapter - 2023)
2023
Editorial
Colton, L., Howard, A., Leach, E. E., & Rose, S. (2023). Editorial. Early Music, 51(1), 1-2. doi:10.1093/em/caad008
<i>Sonic Bodies: Text, Music, and Silence in Late Medieval England</i>, by Tekla Bude
Colton, L. (2023). <i>Sonic Bodies: Text, Music, and Silence in Late Medieval England</i>, by Tekla Bude. Journal of the American Musicological Society, 76(1), 226-230. doi:10.1525/jams.2023.76.1.226
Local, Regional, National, and International Music in Late Medieval England: Evidence from East Anglia
Johnson, L. (2023). Local, Regional, National, and International Music in Late Medieval England: Evidence from East Anglia. In Musiker*innen und Musikleben in Der Region - Identitäten, Tracer und Ressourcen Blickpunkte East Anglia, Kroatien, Österreich, Schweiz (pp. 43-61). Graz: Uni-Press Graz Verlag.
2022
Editorial
Colton, L. (2022). Editorial. Early Music, 50(2), 153-154. doi:10.1093/em/caac029
"Going all the way with Marot": Empowerment in the pastourelle motet L'autrier m'esbatoie/Demenant grant joie/MANERE
Johnson, L. (2022). "Going all the way with Marot": Empowerment in the pastourelle motet L'autrier m'esbatoie/Demenant grant joie/MANERE. In L. Johnson, & A. K. Grau (Eds.), Female-Voice Song and Women's Musical Agency in the Middle Ages (pp. 271-296). Leuven: Brill.
Female-Voice Song and Women’s Musical Agency in the Middle Ages
Grau, A. K., & Colton, L. (2022). Female-Voice Song and Women’s Musical Agency in the Middle Ages. BRILL. doi:10.1163/9789004517035
Music in the Margins
Colton, L. (n.d.). Music in the Margins. Unknown Journal, 421-440. doi:10.1093/oxfordhb/9780199793525.013.3
Case Studies I
Buckley, A., & Colton, L. (2022). Case Studies I. In Music and Liturgy in Medieval Britain and Ireland (pp. 101-104). Cambridge University Press. doi:10.1017/9781108694988.005
Case Studies II: Textual Witnesses to Insular-Continental Networks
Buckley, A., & Colton, L. (2022). Case Studies II: Textual Witnesses to Insular-Continental Networks. In MUSIC AND LITURGY IN MEDIEVAL BRITAIN AND IRELAND (pp. 237-241). Retrieved from https://www.webofscience.com/
Epilogue
Buckley, A., & Colton, L. (2022). Epilogue. In Music and Liturgy in Medieval Britain and Ireland (pp. 313-314). Cambridge University Press. doi:10.1017/9781108694988.014
Liturgy and Devotion in Insular Witnesses to the Cult of the Three Kings of Cologne
Colton, L. (2022). Liturgy and Devotion in Insular Witnesses to the Cult of the Three Kings of Cologne. In Music and Liturgy in Medieval Britain and Ireland (pp. 292-312). Cambridge University Press. doi:10.1017/9781108694988.013
Music and Liturgy in Medieval Britain and Ireland
Buckley, A., & Colton, L. (Eds.) (2022). Music and Liturgy in Medieval Britain and Ireland. Cambridge University Press. doi:10.1017/9781108694988
Textual Witnesses to Insular Liturgies
Buckley, A., & Colton, L. (2022). Textual Witnesses to Insular Liturgies. In Music and Liturgy in Medieval Britain and Ireland (pp. 3-16). Cambridge University Press. doi:10.1017/9781108694988.001
Case Studies I: Patterns in the Veneration of Regional and Local Saints in Insular Liturgical Sources
Buckley, A., & Colton, L. (2022). Case Studies I: Patterns in the Veneration of Regional and Local Saints in Insular Liturgical Sources. In Music and Liturgy in Medieval Britain and Ireland (pp. 101-104). doi:10.1017/9781108694988.005
Epilogue: Pathways to Further Research in Medieval Insular Liturgies
Buckley, A., & Colton, L. (2022). Epilogue: Pathways to Further Research in Medieval Insular Liturgies. In Music and Liturgy in Medieval Britain and Ireland (pp. 313-314). doi:10.1017/9781108694988.014
Textual Witnesses to Insular Liturgies
Buckley, A., & Colton, L. (2022). Textual Witnesses to Insular Liturgies. In Music and Liturgy in Medieval Britain and Ireland (pp. 1-16). doi:10.1017/9781108694988.001
2020
Making Sense of Omnis / Habenti:
Colton, L. (2020). Making Sense of Omnis / Habenti:. In Music and Instruments of the Middle Ages (pp. 221-246). Boydell & Brewer. doi:10.2307/j.ctv1850hzd.18
Mediaeval Carols, transcribed and ed. by John Stevens, 3rd rev. edn prepared by David Fallows, Musica Britannica 4. London: Stainer & Bell and the Musica Britannica Trust, 2018. xxxiv + 180 pp. £98. ISBN 978 0 852 49958 0. - David Fallows, Henry V and the Earliest English Carols: 1413–1440. Abingdon: Routledge, 2018. 216 pp. £120. ISBN 978 1 472 42192 0 (hardback); 978 1 315 61090 0 (e-book).
COLTON, L. (2020). Mediaeval Carols, transcribed and ed. by John Stevens, 3rd rev. edn prepared by David Fallows, Musica Britannica 4. London: Stainer & Bell and the Musica Britannica Trust, 2018. xxxiv + 180 pp. £98. ISBN 978 0 852 49958 0. - David Fallows, Henry V and the Earliest English Carols: 1413–1440. Abingdon: Routledge, 2018. 216 pp. £120. ISBN 978 1 472 42192 0 (hardback); 978 1 315 61090 0 (e-book).. Plainsong and Medieval Music, 29(2), 180-184. doi:10.1017/s0961137120000133
Hic et nunc Licanus CDM1641 (J de Lymburgia)
Colton, L. (2020). Hic et nunc Licanus CDM1641 (J de Lymburgia). EARLY MUSIC, 48(2), 267-268. doi:10.1093/em/caaa031
Containing Chaos? Aspects of Medieval Liturgy in James MacMillan’s<i>Visitatio Sepulchri</i>
Colton, L. (2020). Containing Chaos? Aspects of Medieval Liturgy in James MacMillan’s<i>Visitatio Sepulchri</i>. In James MacMillan Studies (pp. 200-216). Cambridge University Press. doi:10.1017/9781108592154.013
Past Tense
Colton, L. (2020). Past Tense. Unknown Journal, 300-326. doi:10.1093/oxfordhb/9780190658441.013.21
A Critical Companion to Medieval Motets
Colton, L. (2020). A Critical Companion to Medieval Motets. MUSIC & LETTERS, 101(1), 138-140. doi:10.1093/ml/gcz104
Henry V and the Earliest English Carols: 1413-1440
Colton, L. (2020). Henry V and the Earliest English Carols: 1413-1440. PLAINSONG & MEDIEVAL MUSIC, 29(2), 180-184. Retrieved from https://www.webofscience.com/
Mediaeval Carols
Colton, L. (2020). Mediaeval Carols. PLAINSONG & MEDIEVAL MUSIC, 29(2), 180-184. Retrieved from https://www.webofscience.com/
2019
Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge: Cambridge University Press, 2015). xvii + 301 pp. £69.99 (hb); £22.99 (pb). ISBN 9781107039667.Anna Zayaruznaya, Upper‐Voice Structures and Compositional Process in the Ars Nova Motet. RMA Monographs Series (Abingdon: Routledge, 2018). xv + 158 pp. £115 (hb). ISBN 9781138302440.
Colton, L. (2019). Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge: Cambridge University Press, 2015). xvii + 301 pp. £69.99 (hb); £22.99 (pb). ISBN 9781107039667.Anna Zayaruznaya, Upper‐Voice Structures and Compositional Process in the Ars Nova Motet. RMA Monographs Series (Abingdon: Routledge, 2018). xv + 158 pp. £115 (hb). ISBN 9781138302440.. Music Analysis, 38(1-2), 241-250. doi:10.1111/musa.12136
Channelling the ecstasy of Hildegard von Bingen: "O'Euchari" remixed
Colton, L. (n.d.). Channelling the ecstasy of Hildegard von Bingen: "O'Euchari" remixed. In Music Beyond Airports - appraising ambient music (pp. 147-175). University of Huddersfield Press. doi:10.5920/beyondairports.07
High or Low? Medieval English Carols as Part of Vernacular Culture, 1380–1450
Colton, L., & McInnes, L. (2019). High or Low? Medieval English Carols as Part of Vernacular Culture, 1380–1450. In Vernacular Aesthetics in the Later Middle Ages (pp. 119-149). Springer International Publishing. doi:10.1007/978-3-030-18334-9_5
Music Beyond Airports - appraising ambient music
Music Beyond Airports - appraising ambient music (n.d.). . University of Huddersfield Press. doi:10.5920/beyondairports.fulltext
The Monstrous New Art: Divided Forms in the Late Medieval Motet
Colton, L. (2019). The Monstrous New Art: Divided Forms in the Late Medieval Motet. MUSIC ANALYSIS, 38(1-2), 241-250. Retrieved from https://www.webofscience.com/
Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Colton, L. (2019). Upper-Voice Structures and Compositional Process in the Ars Nova Motet. MUSIC ANALYSIS, 38(1-2), 241-250. Retrieved from https://www.webofscience.com/
2018
Summers English thirteenth-century polyphony: a facsimile edition
Colton, L. (2018). Summers English thirteenth-century polyphony: a facsimile edition. EARLY MUSIC, 46(2), 339-340. doi:10.1093/em/cay034
Book Reviews
Book Reviews (2018). The Journal of Religious History, Literature and Culture, 4(1), 145-188. doi:10.16922/jrhlc.4.1.7
Recomposing the Past: Representations of Early Music on Stage and Screen
Recomposing the Past: Representations of Early Music on Stage and Screen (n.d.). . Routledge. doi:10.4324/9781315268255
Music in the margins: Queerness in the clerical imagination, 1200-1500
Colton, L. (2018). Music in the margins: Queerness in the clerical imagination, 1200-1500. In The Oxford Handbook of Music and Queerness (pp. 421-440).
Medievalism, music, and agency in <i>The Wicker Man</i> (1973)
Colton, L. (2018). Medievalism, music, and agency in <i>The Wicker Man</i> (1973). In RECOMPOSING THE PAST: REPRESENTATIONS OF EARLY MUSIC ON STAGE AND SCREEN (pp. 213-228). Retrieved from https://www.webofscience.com/
Song in Space and Space in Song: Physical and Conceptual Boundaries in English Devotional Music, 1250-1500
Colton, L. (2018). Song in Space and Space in Song: Physical and Conceptual Boundaries in English Devotional Music, 1250-1500. In DEVOTIONAL INTERACTION IN MEDIEVAL ENGLAND AND ITS AFTERLIVES (Vol. 12, pp. 208-237). doi:10.1163/9789004365834_011
2017
Editorial
Colton, L., & Cook, J. (2017). Editorial. EARLY MUSIC, 45(1), 1-2. doi:10.1093/em/cax016
Music, text and structure in 14th-century English polyphony: the case of <i>Ave miles celestis curie</i>
Colton, L. (2017). Music, text and structure in 14th-century English polyphony: the case of <i>Ave miles celestis curie</i>. EARLY MUSIC, 45(1), 27-+. doi:10.1093/em/cax001
'Sowndys and melodiis' Perceptions of Sound and Music in Late Medieval England
Colton, L. (2017). 'Sowndys and melodiis' Perceptions of Sound and Music in Late Medieval England. In CULTURAL HISTORIES OF NOISE, SOUND AND LISTENING IN EUROPE, 1300-1918 (pp. 19-30). Retrieved from https://www.webofscience.com/
2016
‘Sowndys and melodiis’: Perceptions of Sound and Music in Late Medieval England
‘Sowndys and melodiis’: Perceptions of Sound and Music in Late Medieval England (2016). In Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 (pp. 33-44). Routledge. doi:10.4324/9781315575308-10
British Women Composers and Instrumental Chamber Music in the Earliest Twentieth Century
Colton, L. (2016). British Women Composers and Instrumental Chamber Music in the Earliest Twentieth Century. GENDER AND HISTORY, 28(1), 237-238. doi:10.1111/1468-0424.12192
Fourteenth-century music
Colton, L. (2016). Fourteenth-century music. Early Music, 44(1), 165-166. doi:10.1093/em/caw015
Angel Song: Medieval English Music in History
Colton, L. (n.d.). Angel Song: Medieval English Music in History. Routledge. doi:10.4324/9781315567068
Codex Chantilly II Et'cetera KTC1905 (Machaut, Solage, Grimace)
Colton, L. (2016). Codex Chantilly II Et'cetera KTC1905 (Machaut, Solage, Grimace). EARLY MUSIC, 44(1), 165-166. Retrieved from https://www.webofscience.com/
Exit Rosa: Canti per le monache dal manoscritto Q.11 di Bologna Tactus TC280002 (S Guiduca)
Colton, L. (2016). Exit Rosa: Canti per le monache dal manoscritto Q.11 di Bologna Tactus TC280002 (S Guiduca). EARLY MUSIC, 44(1), 166. Retrieved from https://www.webofscience.com/
Food, wine & song: Music and feasting in Renaissance Europe Harmonia Mundi HMU907314 (M Venner)
Colton, L. (2016). Food, wine & song: Music and feasting in Renaissance Europe Harmonia Mundi HMU907314 (M Venner). EARLY MUSIC, 44(1), 165-166. Retrieved from https://www.webofscience.com/
Gradual of Eleanor of Brittany Harmonia Mundi HMU901403 (E Organum)
Colton, L. (2016). Gradual of Eleanor of Brittany Harmonia Mundi HMU901403 (E Organum). EARLY MUSIC, 44(1), 166. Retrieved from https://www.webofscience.com/
Guillaume Machaut: Dart of love Hyperion CDA68008 (Machaut)
Colton, L. (2016). Guillaume Machaut: Dart of love Hyperion CDA68008 (Machaut). EARLY MUSIC, 44(1), 165-166. Retrieved from https://www.webofscience.com/
Guillaume Machaut: Mon chant vous envoy: Virelais, ballades et rondeaux Eloquentia EL1342 (M Mauillon)
Colton, L. (2016). Guillaume Machaut: Mon chant vous envoy: Virelais, ballades et rondeaux Eloquentia EL1342 (M Mauillon). EARLY MUSIC, 44(1), 165-166. Retrieved from https://www.webofscience.com/
Guillaume Machaut: Songs from Le Voir Dit Hyperion CDA67727 (Orlando Consort)
Colton, L. (2016). Guillaume Machaut: Songs from Le Voir Dit Hyperion CDA67727 (Orlando Consort). EARLY MUSIC, 44(1), 165-166. Retrieved from https://www.webofscience.com/
Hor, Kristenhait!-Sacred songs by the last of the Minnesingers Christophorus CHR 77395 (O vonWolkenstein)
Colton, L. (2016). Hor, Kristenhait!-Sacred songs by the last of the Minnesingers Christophorus CHR 77395 (O vonWolkenstein). EARLY MUSIC, 44(1), 166. Retrieved from https://www.webofscience.com/
In Il Codice di S. Maria Maggiore, sec. XIV Tactus TC 400005 (M Giacintucci)
Colton, L. (2016). In Il Codice di S. Maria Maggiore, sec. XIV Tactus TC 400005 (M Giacintucci). EARLY MUSIC, 44(1), 166. Retrieved from https://www.webofscience.com/
Le livre vermeil de Montserrat Paraty 414125 (KD Luong)
Colton, L. (2016). Le livre vermeil de Montserrat Paraty 414125 (KD Luong). EARLY MUSIC, 44(1), 165-166. Retrieved from https://www.webofscience.com/
Rosa e Orticha: Music of the Trecento Carpe Diem CD-16287 (Ensemble Syntagma)
Colton, L. (2016). Rosa e Orticha: Music of the Trecento Carpe Diem CD-16287 (Ensemble Syntagma). EARLY MUSIC, 44(1), 166. Retrieved from https://www.webofscience.com/
2015
Gender, Age and Musical Creativity
Haworth, C., & Colton, L. (n.d.). Gender, Age and Musical Creativity. Routledge. doi:10.4324/9781315584096
Gender, Age and Musical Creativity Introduction
Haworth, C., & Colton, L. (2015). Gender, Age and Musical Creativity Introduction. In GENDER, AGE AND MUSICAL CREATIVITY (pp. 1-+). Retrieved from https://www.webofscience.com/
Introduction: Gender, age and musical creativity
Haworth, C., & Colton, L. (2015). Introduction: Gender, age and musical creativity.
2014
Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Ed. by Peter Wright. * The Eton Choirbook: Facsimile and Introductory Study. Ed. by Magnus Williamson. * Songs in British Sources c.1150-1300. Ed. by Helen Deeming
Colton, L. (2014). Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Ed. by Peter Wright. * The Eton Choirbook: Facsimile and Introductory Study. Ed. by Magnus Williamson. * Songs in British Sources c.1150-1300. Ed. by Helen Deeming. Music and Letters, 95(4), 648-650. doi:10.1093/ml/gcu094
Lady Gaga and Popular Music
Iddon, M., & Marshall, M. (Eds.) (n.d.). Lady Gaga and Popular Music. doi:10.4324/9780203520819
Fifteenth-Century Liturgical Music, VIII: the Gloria and Credo
Colton, L. (2014). Fifteenth-Century Liturgical Music, VIII: the Gloria and Credo. MUSIC & LETTERS, 95(4), 648-650. Retrieved from https://www.webofscience.com/
Songs in British Sources c.1150-1300
Colton, L. (2014). Songs in British Sources c.1150-1300. MUSIC & LETTERS, 95(4), 648-650. Retrieved from https://www.webofscience.com/
The Eton Choirbook: Facsimile and Introductory; Study
Colton, L. (2014). The Eton Choirbook: Facsimile and Introductory; Study. MUSIC & LETTERS, 95(4), 648-650. Retrieved from https://www.webofscience.com/
Who's Calling? Telephone Songs, Female Vocal Empowerment and Signification
Colton, L. (2014). Who's Calling? Telephone Songs, Female Vocal Empowerment and Signification. In LADY GAGA AND POPULAR MUSIC: PERFORMING GENDER, FASHION, AND CULTURE (pp. 67-81). Retrieved from https://www.webofscience.com/
2013
The Sense of Sound: Musical Meanings in France, 1260-1330
Colton, L. (2013). The Sense of Sound: Musical Meanings in France, 1260-1330. FRENCH HISTORY, 27(3), 454-456. doi:10.1093/fh/crt020
2012
The Cambridge Companion to medieval music
Colton, L. (2012). The Cambridge Companion to medieval music. EARLY MUSIC, 40(2), 308-310. doi:10.1093/em/cas041
2011
English Masses at home and abroad
Colton, L. (2011). English Masses at home and abroad. Early Music, 39(4), 621-623. doi:10.1093/em/car091
Languishing for provenance: <i>Zelo tui langueo</i> and the search for women's polyphony in England
Colton, L. (2011). Languishing for provenance: <i>Zelo tui langueo</i> and the search for women's polyphony in England. EARLY MUSIC, 39(3), 315-+. doi:10.1093/em/car042
Fifteenth-century liturgical music, VI: Mass settings from the Lucca Choirbook
Colton, L. (2011). Fifteenth-century liturgical music, VI: Mass settings from the Lucca Choirbook. EARLY MUSIC, 39(4), 621-623. Retrieved from https://www.webofscience.com/
Fifteenth-century liturgical music, VII: The York Masses
Colton, L. (2011). Fifteenth-century liturgical music, VII: The York Masses. EARLY MUSIC, 39(4), 621-623. Retrieved from https://www.webofscience.com/
2010
Introduction: Recycling and Innovation in Contemporary Music
Colton, L., & Iddon, M. (2010). Introduction: Recycling and Innovation in Contemporary Music. CONTEMPORARY MUSIC REVIEW, 29(3), 229-230. doi:10.1080/07494467.2010.535353
The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir
Colton, L. (2010). The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir. CONTEMPORARY MUSIC REVIEW, 29(3), 277-289. doi:10.1080/07494467.2010.535361
A UNIQUE SOURCE OF ENGLISH TABLATURE FROM SEVENTEENTH-CENTURY HUDDERSFIELD
Colton, L. (2010). A UNIQUE SOURCE OF ENGLISH TABLATURE FROM SEVENTEENTH-CENTURY HUDDERSFIELD. MUSIC & LETTERS, 91(1), 39-50. doi:10.1093/ml/gcp081
2009
Music from the Middle Ages
Colton, L. (2009). Music from the Middle Ages. EARLY MUSIC, 37(2), 325-328. doi:10.1093/em/cap028
Performing piety: musical culture in medieval English nunneries
Colton, L. (2009). Performing piety: musical culture in medieval English nunneries. EARLY MUSIC, 37(2), 299-300. doi:10.1093/em/cap008
The Gendered Musical Score: Music in 1940s Melodrama and the Woman's Film
Colton, L. (2009). The Gendered Musical Score: Music in 1940s Melodrama and the Woman's Film. POPULAR MUSIC, 28(2), 277-278. doi:10.1017/S0261143009001895
The Early Tudor Court and International Musical Relations
Colton, L. (2009). The Early Tudor Court and International Musical Relations. SIXTEENTH CENTURY JOURNAL, 40(3), 812-814. Retrieved from https://www.webofscience.com/
2008
Breaking into song (The Medieval Song Project)
Colton, L. (2008). Breaking into song (The Medieval Song Project). EARLY MUSIC, 36(3), 507-508. doi:10.1093/em/can052
Kate Bush and hounds of love
Colton, L. (2008). Kate Bush and hounds of love. POPULAR MUSIC, 27(2), 329-331. doi:10.1017/S0261143008284126
The Articulation of Virginity in the Medieval <i>Chanson de nonne</i>
Colton, L. (2008). The Articulation of Virginity in the Medieval <i>Chanson de nonne</i>. JOURNAL OF THE ROYAL MUSICAL ASSOCIATION, 133, 159-188. doi:10.1093/jrma/fkn001
The Articulation of Virginity in the Medieval <i>Chanson de nonne</i>
Colton, L. (2008). The Articulation of Virginity in the Medieval <i>Chanson de nonne</i>. Journal of the Royal Musical Association, 133(2), 159-188. doi:10.1080/02690400809480701
2006
Music in the Cluniac ecclesia: a pilot project
Colton, L. (2006). Music in the Cluniac ecclesia: a pilot project. EARLY MUSIC, 34(4), 675-677. doi:10.1093/em/cal088
2005
The later Cambridge songs
Colton, L. (2005). The later Cambridge songs. EARLY MUSIC, 33(4), 707-708. doi:10.1093/em/cah164
Choral music in York, 1400-1540
Johnson, L. (2005). Choral music in York, 1400-1540. In Mass and Parish in Medieval England: The Use of York (pp. 41-56). Reading: Spire.
2003
Music in pre-Reformation York: a new source and some thoughts on the York Masses
Colton, L. (2003). Music in pre-Reformation York: a new source and some thoughts on the York Masses. Plainsong and Medieval Music, 12(1), 71-88. doi:10.1017/s0961137103003048