Publications

Dr Holly Tessler

BA(Hons), MBA, PhD, SFHEA

Senior Lecturer, Music Industries; Programme Leader, MA Beatles, Music Industry and Heritage
Music

Part of
School of the Arts
Faculty of Humanities and Social Sciences

Contact

Holly.Tessler@liverpool.ac.uk

+44 (0)151 795 7808 Ext. 57808

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2023

Introduction: Beatles Studies and citizen scholarship

Tessler, H., & Long, P. (2023). Introduction: Beatles Studies and citizen scholarship. Journal of Beatles Studies, 2023(Spring/Autumn), 5-13. doi:10.3828/jbs.2023.2

DOI: 10.3828/jbs.2023.2
: Journal article

2022

Introduction

Tessler, H., & Long, P. (2022). Introduction. Journal of Beatles Studies. doi:10.3828/jbs.2022.1

DOI: 10.3828/jbs.2022.1
: Journal article

80 at 80

Mills, R., Tessler, H., Long, P., & Feldman-Barrett, C. (2022). 80 at 80. Journal of Beatles Studies, 2022(Autumn), 131-162. doi:10.3828/jbs.2022.8

DOI: 10.3828/jbs.2022.8
: Journal article

Introduction

Tessler, H., & Long, P. (2022). Introduction. Journal of Beatles Studies, 2022(Autumn), 3-9. doi:10.3828/jbs.2022.2

DOI: 10.3828/jbs.2022.2
: Journal article

2021

Introduction: Why is everything curated these days? Examining the work of popular music curation

Tessler, H. (2021). Introduction: Why is everything curated these days? Examining the work of popular music curation. Popular Music History, 13(1-2), 5-17.

: Journal article

2018

Digital Piracy, New Media and Consumer Choice

Tessler, H., & Forbes, K. (2018). Digital Piracy, New Media and Consumer Choice. In S. Caldwell Brown, & T. J. Holt (Eds.), Digital Piracy: A Global, Multidisciplinary Account. Routledge.

: Chapter

Lost in The Supermarket?: the evolving role of popular music and popular music products in the Immersive economy

Tessler, H. (2018). Lost in The Supermarket?: the evolving role of popular music and popular music products in the Immersive economy. In V. Tur-Viñes, I. García-Medina, & T. Hidalgo-Marí (Eds.), Creative Industries Global Conference : Libro de Actas/Proceeding Book (pp. 41-47). Alicante, Spain: University of Alicante. doi:10.14198/MEDCOM/2017/12_cmd

DOI: 10.14198/MEDCOM/2017/12_cmd
: Chapter

2016

Back In Black: Re-Thinking Core Competencies of The Recorded Music Sector

Tessler, H. (2016). Back In Black: Re-Thinking Core Competencies of The Recorded Music Sector. In P. Wikstrom, & R. DeFillippi (Eds.), Business Innovation and Disruption in the Music Industries (pp. 33-52). Northampton, Massachusetts: Edward Elgar Publishing.

: Chapter

2015

Let it be? Exploring The Beatles grey market, 1970–1995

Tessler, H. (n.d.). Let it be? Exploring The Beatles grey market, 1970–1995. Popular Music History, 9(1), 48-63. doi:10.1558/pomh.v9i1.27618

DOI: 10.1558/pomh.v9i1.27618
: Journal article

From DIY to D2F: Contextualizing Entrepreneurship for the Artist/Musician

Tessler, H., & Flynn, M. (2015). From DIY to D2F: Contextualizing Entrepreneurship for the Artist/Musician. In A. Dumbreck, & G. MacPherson (Eds.), Music Entrepreneurship (pp. 47-74). London: Bloomsbury. Retrieved from https://www.bloomsbury.com/uk/music-entrepreneurship-9781472525406/

: Chapter

2014

The Oxford Handbook of Interactive Audio

Collins, K., Kapralos, B., & Tessler, H. (2014). The Oxford Handbook of Interactive Audio. Oxford University Press, USA.

: Book