Publications
Selected publications
- Sounding the Story: Music in Videogame Cutscenes (Chapter - 2018)
- A Popular Postmodern or a Postmodern Popular? (Journal article - 2012)
- A Sign of the Times: Semiotics in Anglo-American Musicology (Journal article - 2012)
- Nevermind Nirvana: a post-Adornian perspective (Journal article - 2007)
- The Discourse of Musicology (Book - 2006)
- Thank You for the Music (Chapter - 2018)
2018
Music’s Immanent Future: The Deleuzian Turn in Music Studies. Ed. by Sally Macarthur, Judy Lochhead, and Jennifer Shaw
Hooper, G. (2018). Music’s Immanent Future: The Deleuzian Turn in Music Studies. Ed. by Sally Macarthur, Judy Lochhead, and Jennifer Shaw. Music and Letters, 99(4), 701-703. doi:10.1093/ml/gcy113
Thank You for the Music
Hooper, G. C. (2018). Thank You for the Music. In K. Forkert-Smith, & C. Scotto (Eds.), The Routledge Companion to Popular Music Analysis (pp. 29-44). Routledge.
Sounding the Story: Music in Videogame Cutscenes
Hooper, G. C. (2018). Sounding the Story: Music in Videogame Cutscenes. In D. Williams, & N. Lee (Eds.), Emotion in Video Game Soundtracking (pp. 115-142). Springer. doi:10.1007/978-3-319-72272-6_10
2016
NicholasCook, Beyond the Score: Music as Performance (Oxford: Oxford University Press, 2013). xiv + 458 pp. £32.99 (hb). ISBN 978‐0‐19‐935740‐6.
Hooper, G. (2016). NicholasCook, Beyond the Score: Music as Performance (Oxford: Oxford University Press, 2013). xiv + 458 pp. £32.99 (hb). ISBN 978‐0‐19‐935740‐6.. Music Analysis, 35(3), 407-416. doi:10.1111/musa.12077
2014
Critical Forum
Hooper, G. C. (2014). Critical Forum. Music Analysis.
2012
A Sign of the Times: Semiotics in Anglo-American Musicology
HOOPER, G. (2012). A Sign of the Times: Semiotics in Anglo-American Musicology. Twentieth-Century Music, 9(1-2), 161-176. doi:10.1017/s1478572212000242
A Popular Postmodern or a Postmodern Popular?
Hooper, G. C. (2012). A Popular Postmodern or a Postmodern Popular?. IRASM, 43(1), 187-207.
2008
Moving Music
Hooper, G. C. (2008). Moving Music. Unknown Journal, 3(26), 1-7.
2007
Nevermind Nirvana: a post-Adornian perspective
Hooper, G. C. (2007). Nevermind Nirvana: a post-Adornian perspective. International Review of the Aesthetics and Sociology of Music, 38(1), 91-107.
2006
'Speak to me: the legacy of Pink Floyd's The Dark Side of the Moon' & 'The music and art of Radiohead'
Hooper, G. C. (2006). 'Speak to me: the legacy of Pink Floyd's The Dark Side of the Moon' & 'The music and art of Radiohead'. Unknown Journal, 3(1), 339-345.
The Discourse of Musicology
Hooper, G. C. (2006). The Discourse of Musicology. Aldershot: Ashgate.
2004
An Incomplete Project: Modernism, Formalism and the ‘Music Itself’
Hooper, G. (2004). An Incomplete Project: Modernism, Formalism and the ‘Music Itself’. Music Analysis, 23(2-3), 311-329. doi:10.1111/j.0262-5245.2004.00206.x
Music and the Ineffable
Hooper, G. C. (2004). Music and the Ineffable. Unknown Journal, 309-311.
2003
From Classicism to Modernism: Western Musical Culture and the Metaphysics of Order
Hooper, G. C. (2003). From Classicism to Modernism: Western Musical Culture and the Metaphysics of Order. Unknown Journal, 326-329.
The study of music and the status of musical knowledge
Hooper, G. C. (2003). The study of music and the status of musical knowledge. (PhD Thesis, The University of Keele).