Publications
2024
In conversation with Gary Needham on 'All of Us Strangers'
Needham, G., & Arroyo, J. (2024). In conversation with Gary Needham on 'All of Us Strangers'. [Audio]. Retrieved from https://notesonfilm1.com/
2023
Controversies, protests, coalitions
Needham, G. (2023). Controversies, protests, coalitions. In The Routledge Companion to Gender, Media and Violence (pp. 573-581). Routledge. doi:10.4324/9781003200871-62
Queer Relay in Post-Millennial British Cinema
Needham, G., & Çakırlar, C. (2023). Queer Relay in Post-Millennial British Cinema. In A. Inzerillo (Ed.), Atlas of Contemporary Queer Cinema: Europe 2000-2020 (pp. 147-175). Milan: Meltemi Editore.
Introduction to a special Cultural Commons section on <i>It's a Sin</i>
Needham, G., & Florencio, J. (2023). Introduction to a special Cultural Commons section on <i>It's a Sin</i>. EUROPEAN JOURNAL OF CULTURAL STUDIES, 26(1), 80-84. doi:10.1177/13675494221106493
Screening American Independent Film
Wyatt, J., & Phillips, W. D. (2023). Screening American Independent Film. Screening Cinema.
2022
American Twink Story
Needham, G. (2022). American Twink Story. In D. Greven, & B. Weber (Eds.), Ryan Murphy's Queer America. Routledge.
2020
The Monogamous/Promiscuous Optics in Contemporary Gay Film: Registering the Amorous Couple in Weekend (2011) and Paris 05:59: Theo & Hugo (2016)
Needham, G. W., & Cakirlar, C. (2020). The Monogamous/Promiscuous Optics in Contemporary Gay Film: Registering the Amorous Couple in Weekend (2011) and Paris 05:59: Theo & Hugo (2016). The New Review of Film and Television Studies, 18(4), 402-430. doi:10.1080/17400309.2020.1800329
‘Cruising is a picture we sincerely wish we did not have to show’: United Artists, ratings, blind bidding and the controversy of William Friedkin’s Cruising (1980)
Needham, G. (2020). ‘Cruising is a picture we sincerely wish we did not have to show’: United Artists, ratings, blind bidding and the controversy of William Friedkin’s Cruising (1980). In United Artists (pp. 192-210). Oxon: Routledge. Retrieved from https://www.routledge.com/
The Next Step: Orion Pictures as the New United Artists (1978-1985)
Tzioumakis, Y. (2020). The Next Step: Orion Pictures as the New United Artists (1978-1985). In P. Krämer, G. Needham, Y. Tzioumakis, & T. Balio (Eds.), United Artists (pp. 231-250). London: Routledge.
United Artists
Krämer, P., Needham, G., Tzioumakis, Y., & Balio, T. (Eds.) (n.d.). United Artists. Routledge. doi:10.4324/9780429058332
Introduction to Part 1
Tzioumakis, Y. (2020). Introduction to Part 1. In P. Kramer, G. Needham, Y. Tzioumakis, & T. Balio (Eds.), United Artists (pp. 15-18). London: Routledge.
Introduction to Part 2
Tzioumakis, Y. (2020). Introduction to Part 2. In P. Kramer, G. Needham, Y. Tzioumakis, & P. Balio (Eds.), United Artists (pp. 169-171). London: Routledge.
Twentieth Century Fox
Wasser, F. (2020). Twentieth Century Fox. Y. Tzioumakis, & G. Needham (Eds.), London: Routledge.
2019
Purging the queer archive: Tumblr’s counterhegemonic pornographies
Engelberg, J., & Needham, G. (2019). Purging the queer archive: Tumblr’s counterhegemonic pornographies. Porn Studies, 6(3), 350-354. doi:10.1080/23268743.2019.1623067
2018
Hollywood Trade: Midnight Cowboy (1969) and Underground Cinema
Needham, G. W. (2018). Hollywood Trade: Midnight Cowboy (1969) and Underground Cinema. In The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era (pp. 129-148). Bloomsbury Academic. doi:10.5040/9781501337918.ch-008
MGM
Balio, T. (2018). MGM. Y. Tzioumakis, & G. Needham (Eds.), London: Routledge.
2017
'Not on Public Display': The Art/Porn Debate
Needham, G. W. (2017). 'Not on Public Display': The Art/Porn Debate. In C. Smith, F. Attwood, & B. McNair (Eds.), The Routledge Companion to Media, Sex and Sexuality (pp. 163-173). Oxon and New York: Routledge.
Factory Girl, Factory Films
Needham, G. W. (n.d.). Factory Girl, Factory Films. New York: Bloomsbury.
Editing (out) queer sex: Born to Raise Hell (1974)
Needham, G. W. (2017). Editing (out) queer sex: Born to Raise Hell (1974). Retrieved from https://screeningsex.wordpress.com/
2016
Journal of European Popular Culture
Needham, G. W. (Ed.) (2016). Journal of European Popular Culture (Vol. 7). Intellect. Retrieved from https://www.intellectbooks.co.uk/journals/view-issue,id=3276/
From A to E: Warhol’s Europe/Europe’s Warhol
Needham, G. (2016). From A to E: Warhol’s Europe/Europe’s Warhol. Journal of European Popular Culture, 7(2), 103-106. doi:10.1386/jepc.7.2.103_2
Warhol and Nico: Negotiating Europe from Strip-Tease to Screen Test
Needham, G. W. (2016). Warhol and Nico: Negotiating Europe from Strip-Tease to Screen Test. Journal of European Popular Culture, 7(2), 123-142. doi:10.1386/jepc.7.2.123_1
Reaganite Cinema: What a Feeling!
Needham, G. W. (2016). Reaganite Cinema: What a Feeling!. In Y. Tzioumakis, & C. Molloy (Eds.), The Routledge Companion to Cinema and Politics (pp. 312-322). Oxon: Routledge.
GIMP
Needham, G. W., & Duchow, A. (2016, April 22). GIMP [Performance/Installation/Physical Object]. Nottingham. Retrieved from http://www.amelieduchow.com/AMELIE%20DUCHOW%20audio%20-%20gimp.htm
2015
Publicity and pathos: Andy Warhol’s Marilyn Diptych (1962) in context
Needham, G. (2015). Publicity and pathos: Andy Warhol’s Marilyn Diptych (1962) in context. Film, Fashion & Consumption, 4(2), 221-225. doi:10.1386/ffc.4.2-3.221_1
Warhol: My Hustler at 50
Needham, G. W. (2015). Warhol: My Hustler at 50. Wuxia, (3-4), 112-127. Retrieved from https://wuxiablog.com/3-4-2015-film-og-kuratering/
The Fetish Moment
Needham, G. W. (2015, May 11). The Fetish Moment [Performance/Installation]. Florence National Library.
Cruising: Another Way of Looking
Needham, G. W. (2015). Cruising: Another Way of Looking. Wuxia, (1-2), 44-67.
2014
‘What is Andy Warhol’s Exploding Plastic Inevitable’ [TATE LIVERPOOL]
Needham, G. W., & Davis, G. (2014). ‘What is Andy Warhol’s Exploding Plastic Inevitable’ [TATE LIVERPOOL]. [internet]. Retrieved from http://www.tate.org.uk/
Sound and Music in Hong Kong Cinema
Needham, G. W. (2014). Sound and Music in Hong Kong Cinema. In Sound and Music in Film and Visual Media A Critical Overview. Bloomsbury Publishing USA.
Digital Fashion Film
Needham, G. W. (2014). Digital Fashion Film. In S. Bruzzi, & P. Church Gibson (Eds.), Fashion Cultures Revisited: Theories, Explorations and Analysis, 2nd Edition. Oxon: Routledge.
Bringing out the Gimp: Fashioning the SM Imaginary
Needham, G. (2014). Bringing out the Gimp: Fashioning the SM Imaginary. Fashion Theory, 18(2), 149-168. doi:10.2752/175174114X13890223974506
2013
Warhol's LA
Needham, G. W. (2013, December 3). Warhol's LA [Exhibition]. Nottingham Contemporary.
Heteros and Hustlers: Straightness and Dirtiness in Dirty Dancing
Needham, G. W. (2013). Heteros and Hustlers: Straightness and Dirtiness in Dirty Dancing. In I. Tzioumakis, & S. Lincoln (Eds.), The Time of Our Lives: Dirty Dancing and Popular Culture (pp. 183-200). Detroit: Wayne State University Press.
Warhol in Ten Takes
Davis, G., & Needham, G. (2013). Warhol in Ten Takes. British Film Institute.
Queer Korean Cinema
Needham, G. W. (2013). Queer Korean Cinema. In Directory of World Cinema: South Korea. Bristol: Intellect.
Bufferin Commercial
Needham, G. W. (2013). Bufferin Commercial. In G. Needham, & G. Davis (Eds.), Warhol in Ten Takes (pp. 142-151). London: British Film Institute.
2012
Disco Sucks! Popular Music and Sex in the 1970s
Needham, G. W. (2012). Disco Sucks! Popular Music and Sex in the 1970s. In X. Mendik (Ed.), Peep Shows: Cult Film and the Cine-Erotic (pp. 70-82). New York: Columbia University Press.
Hong Kong Action Cinema
Needham, G. W., & Bettinson, G. (2012). Hong Kong Action Cinema. In Directory of World Cinema: China. Bristol: Intellect.
The Meaning of Messiness: The Shield and the Production of Television Style
Needham, G. W. (2012). The Meaning of Messiness: The Shield and the Production of Television Style. In Interrogating The Shield. Syracuse University Press.
2011
Far from Heaven
Davis, G. (2011). Far from Heaven. Y. Tzioumakis, & G. Needham (Eds.), Edinburgh: Edinburgh University Press.
Greek Cinema without Greece: Investigating Alternative Formations
Needham, G. W. (2011). Greek Cinema without Greece: Investigating Alternative Formations. In I. Tzioumakis, & L. Papadimitriou (Eds.), Greek Cinema: Texts, Histories, Identities. Bristol: Intellect.
TransAmerica: The Road to the Multiplex after New Queer Cinema
Needham, G. W. (2011). TransAmerica: The Road to the Multiplex after New Queer Cinema. In H. Radner, & R. Stringer (Eds.), Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. New York: Routledge.
2010
Brokeback Mountain
Needham, G. (2010). Brokeback Mountain.
Brokeback Mountain
Needham, G. (2010). Brokeback Mountain. Y. Tzioumakis, & G. Needham (Eds.), Edinburgh: Edinburgh University Press.
Delivery is King: Cable TV In the Digital Era
Needham, G. W., & Woods, D. (2010). Delivery is King: Cable TV In the Digital Era. In P. Bantimaroudis (Ed.), Ta Psifiaka Mesa Enimerosis ston 21 Aiona [Digital Media in the 21st Century]. Athens: Kritiki.
Lost in Translation
King, G. (2010). Lost in Translation. Y. Tzioumakis, & G. Needham (Eds.), Edinburgh: Edinburgh University Press.
Memento
Molloy, C. (2010). Memento. Y. Tzioumakis, & G. Needham (Eds.), Edinburgh: Edinburgh University Press.
2009
Closer than ever: French Cinema and the male body in close-up
Needham, G. W. (2009). Closer than ever: French Cinema and the male body in close-up. In S. Fouz-Hernandez (Ed.), Mysterious Skin: The Male Body in Contemporary Cinema. I.B. Tauris.
Queer(ying) Lost
Needham, G. W., & Davis, G. (2009). Queer(ying) Lost. In R. Pearson (Ed.), Reading "Lost": Perspectives on a Hit Television Show. I.B. tauris.
Scheduling Normativity: Television, The Family, and Queer Temporality
Needham, G. W. (2009). Scheduling Normativity: Television, The Family, and Queer Temporality. In G. Needham, & G. Davis (Eds.), Queer TV: Theories, Histories, Politics. Oxon: Routledge.
2008
Queer TV Theories, Histories, Politics
Davis, G., & Needham, G. (2008). Queer TV Theories, Histories, Politics. Routledge.
Fashioning modernity: Hollywood and the Hong Kong Musical 1957-1964
Needham, G. W. (2008). Fashioning modernity: Hollywood and the Hong Kong Musical 1957-1964. In L. Hunt, & W. Leung (Eds.), East Asian Cinemas: Exploring Transnational Connections on Film. I.B. Tauris.
2007
Playing with Genre: An Introduction to the Italian giallo
Needham, G. W. (2007). Playing with Genre: An Introduction to the Italian giallo. In X. Mendik, & E. Mathijs (Eds.), The Cult Film Reader. McGraw-Hill.
All That Diaspora Allows: Film Between Queer and Diaspora
Needham, G. W. (2007). All That Diaspora Allows: Film Between Queer and Diaspora. In O. Bailey, & M. Georgiou (Eds.), Transnational Lives and the Media: Re-Imagining Diasporas. Palgrave.
2006
Asian Cinemas A Reader And Guide
Eleftheriotis, D., & Needham, G. (2006). Asian Cinemas A Reader And Guide. University of Hawaii Press.
Ozu and the Colonial Encounter in Hou Hsiao-hsien
Needham, G. W. (2006). Ozu and the Colonial Encounter in Hou Hsiao-hsien. In G. Needham, & D. Eleftheriotis (Eds.), Asian Cinemas: A Reader and Guide. Edinburgh: Edinburgh University Press.
2004
Cinema of Interruptions: Action Genres in Contemporary Indian Cinema
Needham, G. (2004). Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. Screen, 45(2), 168-171. doi:10.1093/screen/45.2.168