Publications
2018
Jazz Meets Pop in the United Kingdom
Tackley, C. J. (2018). Jazz Meets Pop in the United Kingdom. In N. Gebhardt, N. Rustin-Paschal, & T. Whyton (Eds.), The Routledge Companion to Jazz Studies (pp. 97-104). Routledge. doi:10.4324/9781315315805-10
Editorial
Tackley, C., & Whyton, T. (n.d.). Editorial. Jazz Research Journal, 11(2), 109-110. doi:10.1558/jazz.37172
‘Who Is British Music?’ Placing Migrants in National Music History
Tackley, C. J., Scheding, F., Scott, D. B., Levi, E., Williams, J., & Western, T. (2018). ‘Who Is British Music?’ Placing Migrants in National Music History. Twentieth Century Music, 15(3), 439-492. doi:10.1017/S1478572218000257
Rhythm and Reaction: The Age of Jazz in Britain
Tackley, C. (2018, January 27). Rhythm and Reaction: The Age of Jazz in Britain [Exhibition]. Two Temple Place.
2017
Editorial
Tackley, C., & Whyton, T. (n.d.). Editorial. Jazz Research Journal, 11(1), 5-6. doi:10.1558/jazz.34371
Shanty singing in twenty-first-century Britain
Tackley, C. (2017). Shanty singing in twenty-first-century Britain. International Journal of Maritime History, 29(2), 407-421. doi:10.1177/0843871417694014
“Art or Debauchery?”: The Reception of Ellington in the UK
Tackley, C. J. (2017). “Art or Debauchery?”: The Reception of Ellington in the UK. In J. Howland (Ed.), Duke Ellington Studies (Cambridge Composer Studies) (pp. 137-185). Cambridge University Press. Retrieved from https://www.cambridge.org/
2016
Editorial
Tackley, C., & Whyton, T. (n.d.). Editorial. Jazz Research Journal, 9(2), 105-106. doi:10.1558/jazz.v9i2.31398
Another Place, Another Race? Thinking through Jazz, Ethnicity and Diaspora in Britain
Tackley, C. J., Toynbee, J., & Doffman, M. (2016). Another Place, Another Race? Thinking through Jazz, Ethnicity and Diaspora in Britain. In Black British Jazz Routes, Ownership and Performance (pp. 1-22). Routledge.
Black British Jazz
Toynbee, J., & Tackley, C. (n.d.). Black British Jazz. Routledge. doi:10.4324/9781315569451
Jazz, Dance and Black British Identities
Tackley, C. J. (2016). Jazz, Dance and Black British Identities. In Bodies of Sound Studies Across Popular Music and Dance (pp. 193-207). Routledge.
2015
Editorial
Tackley, C., & Whyton, T. (n.d.). Editorial. Jazz Research Journal, 9(1), 5-6. doi:10.1558/jazz.v9i1.28934
Editorial
Whyton, T., & Tackley, C. (n.d.). Editorial. Jazz Research Journal, 7(2), 149-150. doi:10.1558/jazz.v7i2.26905
The History of Live Music in Britain: From Dance Hall to the 100 Club. By Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster. Farnham: Ashgate, 2013. 221 pp. ISBN 978-1-409-42280-8
Tackley, C. (2015). The History of Live Music in Britain: From Dance Hall to the 100 Club. By Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster. Farnham: Ashgate, 2013. 221 pp. ISBN 978-1-409-42280-8. Popular Music, 34(1), 170-172. doi:10.1017/s0261143014000889
2014
Editorial
Tackley, C., & Whyton, T. (n.d.). Editorial. Jazz Research Journal, 7(1), 5-7. doi:10.1558/jazz.v7i1.5
Tiger Bay and the Routes and Roots of Black British Jazz
Tackley, C. J. (2014). Tiger Bay and the Routes and Roots of Black British Jazz. In J. Toynbee, C. Tackley, & M. Doffman (Eds.), Black British Jazz: Routes, Ownership and Performance (pp. 43-62). Routledge. Retrieved from https://www.routledge.com/
Race, Identity and the Meaning of Jazz in 1940s Britain
Tackley, C. J. (2014). Race, Identity and the Meaning of Jazz in 1940s Britain. In J. Stratton, & N. Zuberi (Eds.), Black Popular Music in Britain Since 1945 (pp. 11-26). Routledge. Retrieved from https://www.taylorfrancis.com/
2013
Editorial
Tackley, C., & Whyton, T. (n.d.). Editorial. Jazz Research Journal, 6(2), 109-111. doi:10.1558/jazz.v6i2.109
Editorial
Tackley, C., & Whyton, T. (n.d.). Editorial. Jazz Research Journal, 6(1), 5-6. doi:10.1558/jazz.v6i1.5
2012
Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert
Tackley, C. (2012). Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert. Oxford University Press.
Editorial
Whyton, T., & Tackley, C. (n.d.). Editorial. Jazz Research Journal, 4(2), 93-94. doi:10.1558/jazz.v4i2.93
Benny Carter in Britain, 1936-37
Tackley, C. J. (2012). Benny Carter in Britain, 1936-37. In Eurojazzland Jazz and European Sources, Dynamics, and Contexts (pp. 167-188). UPNE.
2010
New Jazz Histories
Tackley, C., & Whyton, T. (n.d.). New Jazz Histories. Jazz Research Journal, 3(2), 125-126. doi:10.1558/jazz.v3i2.125
Coltrane and Beyond
Whyton, T., Tackley, C., & Cotro, V. (n.d.). Coltrane and Beyond. Jazz Research Journal, 3(1), 5-6. doi:10.1558/jazz.v3i1.5
Fascination and Fear: Responses to Early Jazz in Britain
Tackley, C. J. (2010). Fascination and Fear: Responses to Early Jazz in Britain. In Cross the Water Blues African American Music in Europe. Univ. Press of Mississippi.
Jazz Recordings as Social Texts
Tackley, C. J. (2010). Jazz Recordings as Social Texts. In Recorded Music Performance, Culture and Technology. Cambridge University Press.
2009
John Coltrane
Whyton, T., Tackley, C., & Cotro, V. (n.d.). John Coltrane. Jazz Research Journal, 2(2), 105-108. doi:10.1558/jazz.v2i2.105
2007
Integrating theory and practice in conservatoires: formulating holistic models for teaching and learning improvisation
Parsonage, C., Fadnes, P. F., & Taylor, J. (2007). Integrating theory and practice in conservatoires: formulating holistic models for teaching and learning improvisation. British Journal of Music Education, 24(3), 295-312. doi:10.1017/s0265051707007590
2005
The Evolution of Jazz in Britain, 1880-1935
Parsonage, C. (2005). The Evolution of Jazz in Britain, 1880-1935. Gower Publishing, Ltd..
2004
The popularity of jazz—an unpopular problem
Parsonage, C. (n.d.). The popularity of jazz—an unpopular problem. Jazz Research Journal, 60-80. doi:10.1558/source.v1i1.60
2003
A critical reassessment of the reception of early jazz in Britain
Parsonage, C. (2003). A critical reassessment of the reception of early jazz in Britain. Popular Music, 22(3), 315-336. doi:10.1017/s0261143003003210