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Ben Hackbarth

Dr Ben Hackbarth

Head of Composition
Music
Part of
School of the Arts
Faculty of Humanities and Social Sciences

Contact

B.Hackbarth@liverpool.ac.uk

http://www.benhackbarth.com/

Publications

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2024

Decryption in Three Parts

Hackbarth, B. (2024). Decryption in Three Parts [Three percussionists, Sensors, Realtime electronics]. Retrieved from http://benhackbarth.com/d3p/

Composition

2022

Acoustic Test

Hackbarth, B. (2022). Acoustic Test [string quartet].

Composition

2021

Liquid Study no 3

Hackbarth, B. (2021). Liquid Study no 3 [Cello and Realtime Electronics].

Composition

2018

Lockstep Variations

Hackbarth, B. (2018). Lockstep Variations [for ensemble and electrified snare drums].

Composition

2017

Liquid Study no. 2

Hackbarth, B. S. (2017). Liquid Study no. 2 [piano and computer sound].

Composition

2016

Dot Matrix Dialect

HACKBARTH. (2016, March 10). Dot Matrix Dialect [for cello, piano, percussion and computer sound]. Open Circuit Festival, Leggate Theatre VG&M.

Performance

Dot Matrix Dialect

Hackbarth, B. S. (2016). Dot Matrix Dialect [for Cello, Piano, Percussion and Electronic Sound].

Composition

Liquid Study no 1

Hackbarth, B. S. (2016, March 4). Liquid Study no 1 [for string quartet and computer sound]. Open Circuit Festival, Leggate Theatre in the VG&M.

Performance

hub

Hackbarth, B. S. (2016, January 28). hub [for flute, piano, percussion and computer sound]. NWNM Chamber Music Festival, RNCM, Manchester. Retrieved from http://houseofbedlam.co.uk/Hub-Ben-Hackbarth

Performance

2015

Libidinal Circuits: Scenes of Innovation III

Hackbarth. (2015, July 8). Libidinal Circuits: Scenes of Innovation III. In Libidinal Circuits: Scenes of Innovation III. School of the Arts, University of Liverpool.

Conference Paper

Open End

Hackbarth, B. S. (2015, April 6). Open End [for vibraphone and computer sound]. Australian National Academy of Music, Melbourne.

Performance

Liquid Study 1

Hackbarth, B. (2015). Liquid Study 1 [Performance].

Performance

Liquid Study 1

Hackbarth, B. (2015). Liquid Study 1 [Composition].

Composition

2014

Volleys of Light and Shadow

Hackbarth, B. (2014). Volleys of Light and Shadow [Performance].

Performance

Volleys of Light and Shadow

Hackbarth, B. (2014). Volleys of Light and Shadow [Performance].

Performance

Out Among Sharks, A Moving Target

Manhattan School New Music Ensemble. (2014). Out Among Sharks, A Moving Target [ Score].

Performance

2013

Composing Morphology: Concatenative Synthesis as an Intuitive Medium for Prescribing Sound in Time

Hackbarth, B., Schnell, N., Esling, P., & Schwarz, D. (2013). Composing Morphology: Concatenative Synthesis as an Intuitive Medium for Prescribing Sound in Time. Contemporary Music Review, 32(1), 49-59.

Journal article

Hub

The Walden School Trio. (2013). Hub [ Score].

Performance

Open End

Fox, N. (2013). Open End [ Score].

Performance

Open End

Pons, V. (2013). Open End [ Score].

Performance

Open End

Antonio, I. (2013). Open End [ Score].

Performance

Open End

Garapic, A. (2013). Open End [ Score].

Performance

2012

Am I a Particle or a Wave?

The L.A. Percussion Quartet. (2012). Am I a Particle or a Wave? [ Score].

Performance

Am I a Particle or a Wave?

Quartet, T. L. A. P. (2012). Am I a Particle or a Wave? [ Score].

Performance

Am I a Particle or a Wave?

The L.A. Percussion Quartet. (2012). Am I a Particle or a Wave? [ Score].

Performance

Navigating Variation: Composing For Audio Mosaicing

Schwarz, D., & Hackbarth, B. (2012). Navigating Variation: Composing For Audio Mosaicing. In ICMC (pp. 1-5). Ljubljana: International Computer Music Association.

Conference Paper

Open End

Ventoso Fernandez, D. (2012). Open End [Public Performance].

Performance

Open End

Ventoso Fernandez, D. (2012). Open End [Public Performance].

Performance

Open End

Solook, S. (2012). Open End [Public Performance].

Performance

Open End

Ventoso Fernandez, D. (2012). Open End [Public Performance].

Performance

Open End

Ventoso Fernandez, D. (2012). Open End [ Score].

Performance

Open End

Hackbarth, B. (2012). Open End [Performance].

Performance

Open End

Fernandez, D. V. (2012). Open End [ Score].

Performance

Out Among Sharks, A Moving Target

Palimpsest. (2012). Out Among Sharks, A Moving Target [ Score].

Performance

Out Among Sharks, a Moving Target

Hackbarth, B. (2012). Out Among Sharks, a Moving Target [ Score].

Composition

2011

Am I a Particle or a Wave?

Hackbarth, B. (2011). Am I a Particle or a Wave? [ Score].

Composition

Crumbling Walls and Wandering Rocks

Ensemble InterContemporain. (2011). Crumbling Walls and Wandering Rocks [ Score].

Performance

Open End

Fox, N. (2011). Open End [ Score].

Performance

Open End

Sehman, M. (2011). Open End [ Score].

Performance

Open End

Sehman, M. (2011). Open End [ Score].

Performance

Open End

Sehman, M. (2011). Open End [ Score].

Performance

Open End

Sehman, M. (2011). Open End [ Score].

Performance

2010

Crumbling Walls and Wandering Rocks

The Wet Ink Ensemble. (2010). Crumbling Walls and Wandering Rocks [ Score].

Performance

Crumbling Walls and Wandering Rocks

Hackbarth, B. (2010). Crumbling Walls and Wandering Rocks [ Score].

Composition

Open End

Archinal, B. (2010). Open End [ Score].

Performance

Open End

Moore, A. (2010). Open End [ Score].

Performance

Open End

Sehman, M. (2010). Open End [ Score].

Performance

Open End

Archinal, B. (2010). Open End [ Score].

Performance

2009

Open End

Jenkins, M. (2009). Open End [ Score].

Performance

String Quartet no. 1

Ensemble Surplus. (2009). String Quartet no. 1 [ Score].

Performance

String Quartet no. 1

Ensemble Surplus. (2009). String Quartet no. 1 [ Score].

Performance

2008

ATLAS in Silico

Installation, M. (2008). ATLAS in Silico [Public Performance].

Performance

ATLAS in Silico

Multimedia Installation. (2008). ATLAS in Silico [Public Performance].

Performance

Scalable Auditory Data Signatures for Discovery Oriented Browsing in an Expressive Context

Gosmann, J., Hackbarth, B., West, R., Margolis, T., Lewis, J. P., & Mostafavi, I. (2008). Scalable Auditory Data Signatures for Discovery Oriented Browsing in an Expressive Context. In International Conference on Auditory Display (pp. 88-92). Paris: ICAD contributors. Retrieved from http://icad08.ircam.fr/static/

Conference Paper

String Quartet no. 1

Hackbarth, B. (2008). String Quartet no. 1 [ Score].

Composition

String Quartet no. 1

Quartet, K. (2008). String Quartet no. 1 [ Score].

Performance

2007

ATLAS in Silico

Gossman, J., Hackbarth, B., & West, R. (2007). ATLAS in Silico [Public Performance]. Retrieved from http://www.atlasinsilico.net/

Composition

ATLAS in Silico

Installation, M. (2007). ATLAS in Silico [Public Performance].

Performance

ATLAS in Silico

Installation, M. (2007). ATLAS in Silico [Public Performance].

Performance

Open End

Hackbarth, B. (2007). Open End [ Score]. Retrieved from http://www.benhackbarth.com/open_end/

Composition

String Quartet no. 1

Quartet, T. A. S. (2007). String Quartet no. 1 [ Score].

Performance

2006

Hub

Gallagher, K., Lukas, K., & Stuart, G. (2006). Hub [ Score].

Performance

2005

Hub

Gallagher, K., Lukacs, K., & Stuart, G. (2005). Hub [ Score].

Performance