Publications
2024
Haptic Experiments: Filming the Person Behind the Illness (Comment on Persona Perpetua, a film by Javier Bellido Valdivia)
Grossman, A. (2024). Haptic Experiments: Filming the Person Behind the Illness (Comment on Persona Perpetua, a film by Javier Bellido Valdivia). HAU: Journal of Ethnographic Theory, 14(1), 267-270.
2023
Editorial
Arntsen, B., Grøholt, O. E. B., Grossman, A., & Kamerling, L. (n.d.). Editorial. Journal of Anthropological Films, 7(02). doi:10.15845/jaf.v7i02.4064
Little Familiar Objects: Unfixing Taxonomies in the Ethnographic Museum Archive
Grossman, A. (2023). Little Familiar Objects: Unfixing Taxonomies in the Ethnographic Museum Archive. Anthropology and Art, 8, 1-20.
'Zoom-Walks' and Cyanotypes: Materializing Screen Ontophanies
Grossman, A. (2023). 'Zoom-Walks' and Cyanotypes: Materializing Screen Ontophanies. AMPS Journal Proceedings, 32, 317-326.
Editorial
Arntsen, B., Grossman, A., Grøholt, O. E. B., & Kamerling, L. (n.d.). Editorial. Journal of Anthropological Films, 7(01). doi:10.15845/jaf.v7i01.3940
Review of 'RECALLING FIELDWORK: PEOPLE, PLACES AND ENCOUNTERS', by Raluca Mateoc and François Rüegg (eds.)
Grossman, A. (2023). Review of 'RECALLING FIELDWORK: PEOPLE, PLACES AND ENCOUNTERS', by Raluca Mateoc and François Rüegg (eds.). Journal of Romanian Studies, 5(1), 87-90.
Review of 'EXPANDED VISIONS: A NEW ANTHROPOLOGY OF THE MOVING IMAGE', by ARND SCHNEIDER
Grossman, A. (2023). Review of 'EXPANDED VISIONS: A NEW ANTHROPOLOGY OF THE MOVING IMAGE', by ARND SCHNEIDER. Visual Anthropology, 36(1), 110-112.
Catalogue of Correspondence: A Collection of Rocks in the Gothenburg Museum of World Culture
Grossman, A., & Kimball, S. (2023). Catalogue of Correspondence: A Collection of Rocks in the Gothenburg Museum of World Culture. Anthropology and Art, 8, 21-45.
2022
Editorial
Arntsen, B., Grossman, A., Grøholt, O. E. B., & Kamerling, L. (n.d.). Editorial. Journal of Anthropological Films, 6(02). doi:10.15845/jaf.v6i02.3813
2021
Beyond the Edges of the Screen Longing for the Physical 'Spaces Between'
Grossman, A., & Kimball, S. (2021). Beyond the Edges of the Screen Longing for the Physical 'Spaces Between'. ANTHROPOLOGY IN ACTION-JOURNAL FOR APPLIED ANTHROPOLOGY IN POLICY AND PRACTICE, 28(3), 1-11. doi:10.3167/aia.2021.280301
2020
Looking for a “Now‐Time” in Family Film Footage: Appropriating and Activating Archival Images in the Present
Grossman, A., & Kirstein Høgel, A. (2020). Looking for a “Now‐Time” in Family Film Footage: Appropriating and Activating Archival Images in the Present. Visual Anthropology Review, 36(1), 90-112. doi:10.1111/var.12201
2019
Review of 'REMAINS OF THE SOVIET PAST IN ESTONIA: AN ANTHROPOLOGY OF FORGETTING, REPAIR AND URBAN TRACES', by FRANCISCO MARTINEZ
Grossman, A. (2019). Review of 'REMAINS OF THE SOVIET PAST IN ESTONIA: AN ANTHROPOLOGY OF FORGETTING, REPAIR AND URBAN TRACES', by FRANCISCO MARTINEZ. Social Anthropology, 7(4), 716-718. doi:10.1111/1469-8676.12714
2018
Unintentional Memorials: Everyday Places of Memory in Post-Transition Bucharest
Grossman, A. R. (2018). Unintentional Memorials: Everyday Places of Memory in Post-Transition Bucharest. In D. W. Montgomery (Ed.), Everyday Life in the Balkans (pp. 339-350). Bloomington: Indiana University Press.
Stealing Sophie Calle
Grossman, A. (n.d.). Stealing Sophie Calle. Suomen Antropologi: Journal of the Finnish Anthropological Society, 43(1), 28-35. doi:10.30676/jfas.v43i1.74069
2017
Counter-factual Provocations in the Ethnographic Archive
Grossman, A. R. (2017). Counter-factual Provocations in the Ethnographic Archive. OAR: The Oxford Artistic and Practice Based Research Platform, 2017(2), 126-138. Retrieved from http://www.oarplatform.com/counter-factual-provocations-ethnographic-archive/
2015
Forgotten Domestic Objects
Grossman, A. (2015). Forgotten Domestic Objects. Home Cultures, 12(3), 291-310. doi:10.1080/17406315.2015.1084757
2014
Memory Objects, Memory Dialogues: Common-sense Experiments in Visual Anthropology
Grossman, A. R. (2014). Memory Objects, Memory Dialogues: Common-sense Experiments in Visual Anthropology. In A. Schneider, & P. Caterina (Eds.), Experimental Film and Anthropology (pp. 131-145). London: Bloomsbury Academic.
Remembering the Leu: Encounters with Money and Memory in Post-communist, Accession-era Romania
Grossman, A. (2014). Remembering the Leu: Encounters with Money and Memory in Post-communist, Accession-era Romania. Anthropological Journal of European Cultures, 23(1), 121-142. doi:10.3167/ajec.2014.230107
Recollections: Working with Objects from Communist Romania
Grossman, A. R. (2014). Recollections: Working with Objects from Communist Romania. In C. E. A. Caldenby (Ed.), Architecture, Photography, and the Contemporary Past (pp. 130-137). Stockholm: Art and Theory Publishing.
2013
Filming in the Light of Memory
Grossman, A. (2013). Filming in the Light of Memory. In C. Suhr, & R. Willerslev (Eds.), Transcultural Montage (pp. 198-212). Oxford: Berghahn Books.
2011
Memory Objects, Memory Dialogues
Grossman, A. R., & Kimball, S. (2011). Memory Objects, Memory Dialogues. [Digital video and 16mm film].
Review of BIRD'S WAY, a film by KLARA TRENCSENYI AND VLAD NAUMESCU
Grossman, A. (2011). Review of BIRD'S WAY, a film by KLARA TRENCSENYI AND VLAD NAUMESCU. Religion and Society, 2(1), 202-203. doi:10.3167/arrs.2011.020112
2010
In the Light of Memory
Grossman, A. R. (2010). In the Light of Memory. [Digital video].
2008
Review of APPROPRIATION AS PRACTICE: ART AND IDENTITY IN ARGENTINA, by ARND SCHNEIDER
Grossman, A. (2008). Review of APPROPRIATION AS PRACTICE: ART AND IDENTITY IN ARGENTINA, by ARND SCHNEIDER. Third Text: Crtitical perspectives on contemporary art and culture, 22(6), 801-803. doi:10.1080/09528820802652573
2005
Into the Field
Grossman, A. (2005). Into the Field. [Video].