Publications
2024
Femininity and Feminism in Spanish TV Dramas
Louis, A., & Loxham, A. (2024). Femininity and Feminism in Spanish TV Dramas. Springer Nature Switzerland. doi:10.1007/978-3-031-64369-9
2023
Transnational (post)feminist television drama made in Spain
Loxham, A. (2023). Transnational (post)feminist television drama made in Spain. FEMINIST MEDIA STUDIES, 23(4), 1705-1720. doi:10.1080/14680777.2021.1996416
Sensing Justice through Contemporary Spanish Cinema: Aesthetics, Politics
Loxham, A. (2023). Sensing Justice through Contemporary Spanish Cinema: Aesthetics, Politics. LAW & LITERATURE, 35(1), 171-174. doi:10.1080/1535685X.2023.2145064
2019
Post-crisis, post-feminist: Reading Ada Colau as female Celebrity Politician in Alcaldessa (Pau Faus, 2016)
Loxham, A. R. (2019). Post-crisis, post-feminist: Reading Ada Colau as female Celebrity Politician in Alcaldessa (Pau Faus, 2016). Hispanic Research Journal. doi:10.1080/14682737.2019.1584478
2016
‘Sí valgo, yo valgo seguro’ Spain’s new peripheral female subjects in Yo soy la Juani
Loxham, A. (2016). ‘Sí valgo, yo valgo seguro’ Spain’s new peripheral female subjects in Yo soy la Juani. Studies in Spanish & Latin American Cinemas, 13(1), 79-92. doi:10.1386/slac.13.1.79_1
Consuming the Past as a Televisual Product: Gender and Consumption in Cuentame como paso/Tell Me How it Was.
Loxham, A. R. (2016). Consuming the Past as a Televisual Product: Gender and Consumption in Cuentame como paso/Tell Me How it Was.. In K. Kornetis, E. Kotsovili, & N. Papadogiannis (Eds.), Consumption and Gender in Southern Europe Since the Long 1960s (pp. 227-239). Bloomsbury Publishing. Retrieved from https://www.bloomsbury.com/
Digesting the Image: Carnal Appetites and Ethical Consumption in the Work of Bigas Luna
Loxham, A. (2016). Digesting the Image: Carnal Appetites and Ethical Consumption in the Work of Bigas Luna. In Food, Media and Contemporary Culture (pp. 203-219). Palgrave Macmillan UK. doi:10.1057/9781137463234_12
Digesting the image: Carnal appetites and ethical consumption in the work of bigas luna
Loxham, A. (2016). Digesting the image: Carnal appetites and ethical consumption in the work of bigas luna. In Food, Media and Contemporary Culture: The Edible Image (pp. 203-219). doi:10.1007/978-1-137-46323-4
2015
Cuéntame cómo pasó/Tell me how it was: Narratives of memory and television drama in contemporary Spain
Loxham, A. (2015). Cuéntame cómo pasó/Tell me how it was: Narratives of memory and television drama in contemporary Spain. European Journal of Cultural Studies, 18(6), 709-723. doi:10.1177/1367549415572321
2014
Cinema at the edges: New encounters with Julio Medem, Bigas Luna and José Luis Guerín
Loxham, A. (2014). Cinema at the edges: New encounters with Julio Medem, Bigas Luna and José Luis Guerín. Berghahn Books. Retrieved from https://www.berghahnbooks.com/title/LoxhamCinema
2013
An encounter with ethics and documentary images in the exhibition 'Totes les cartes'/'Todas las cartas'/'All the letters'
Loxham, A. (2013). An encounter with ethics and documentary images in the exhibition 'Totes les cartes'/'Todas las cartas'/'All the letters'. Studies in Documentary Film, 7(3), 295-306. doi:10.1386/sdf.7.3.295-1
An encounter with ethics and documentary images in the exhibition ‘totes les cartes’/‘Todas las cartas’/‘All the letters’
Loxham, A. (2013). An encounter with ethics and documentary images in the exhibition ‘totes les cartes’/‘Todas las cartas’/‘All the letters’. Studies in Documentary Film, 7(3), 295-306. doi:10.1386/sdf.7.3.295_1
2007
Barcelona under construction: The democratic potential of touch and vision in city cinema as depicted in <I>En construccin</I> (2001)
Loxham, A. (2007). Barcelona under construction: The democratic potential of touch and vision in city cinema as depicted in <I>En construccin</I> (2001). Studies in Hispanic Cinema, 3(1), 33-46. doi:10.1386/shci.3.1.33_1
Veo, veo; Leo, Leo?: A re(-)viewing of haptic and visual discourse in Bigas Luna's<i>Bilbao</i>(1978)
Loxham, A. (2007). Veo, veo; Leo, Leo?: A re(-)viewing of haptic and visual discourse in Bigas Luna's<i>Bilbao</i>(1978). Studies in European Cinema, 4(3), 211-221. doi:10.1386/seci.4.3.211_1