Social philosophers and theorists often imagine a better world. One strand of thinking, popular in philosophy, fixates on creating models of a just society. Relatedly, philosophers have tended to valorise certain means of social change: through theory, reasoned debate and argument. More subtle means of persuasion, or the use of rhetoric, art and emotion, are viewed with suspicion. On this received view, any reasons or arguments that we offer must be justified from a neutral perspective. The Social Imagination Collective approaches things differently. While we recognise the force and value of a good argument, we want to explore the potential of other means of social change. What role can imagination or art play in social change? What is the function of the activist? How do empathy and embodied understanding help us better understand one another?
We are interested both in what some of these neglected forms of persuasion can bring to social discourse, and how existent, reason-governed institutions can be amended to become more socially responsible. For instance, how should public policy be formulated to better respond to the needs and concerns of citizens? What would a more socially responsible science look like? If objective reason has long been the dominant ideal for achieving social change, we study the alternatives to this ideal: here gathered under the label ‘social imagination’.
Activities
Aesthetics and Political Epistemology: BSA Connections Conference
BBC / AHRC New Generation Thinker 2021 (Simoniti)
Epistemic Vices: Individual and Collective
How Does it Feel? Interpersonal Understanding and Affective Empathy
Integrating Values into Evidence-Based Medicine Network
Listening-to-Learn-to-Understand: A Forgotten Virtue?
Normative Implications of the Metaphysics of Extra-Corporeal Gestation
Objectivity and Activism (Celebrating Ruth First)
Reducing coercion in psychiatric care
Robin McKenna on his book Non-Ideal Epistemology
Robin McKenna on the ethics and epistemology of persuasion
Sufficiency and Sufficientarianism: Theory and Practice
The Psychology and Epistemology of Political Cognition
Vid Simoniti's Artists Remake the World: book launch at Open Eye
Vid Simoniti on BBC Radio 3 Free Thinking Series
Selected Publications
2024
Schramme, T. (2024). Empathy with Future Generations? Topoi, 43(1), 29-37.
2023
Furman, K (2023) Epistemic Bunkers, Social Epistemology 37 (2), 197 - 207
McKenna, R. (2023). Non-Ideal Epistemology. Oxford University Press
Simoniti, V. (2023) Artists Remake the World: Contemporary Art as Politics. New Haven: Yale University Press.
2022
Schramme, T. (2022). Determining Oneself and Determining One’s Self. In Philosophical Studies Series (pp. 33-52). Springer International Publishing. doi:10.1007/978-3-030-80991-1_3
Simoniti, V. (2022) Post-Internet Art and the Alt-Right Visual Culture. In Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Eds. Mara-Johanna Kölmel and Sarah Hegenbart. London: Bloomsbury.
2021
Furman, K (2021) What Use are Real-World Cases to Philosophers? Ergo 7
McKenna, R. (2021). Persuasion and Intellectual Autonomy. In Epistemic Autonomy. Eds. K. Lougheed and J. Matheson. Routledge.
Schramme, T. (2021). Capable deliberators: towards inclusion of minority minds in discourse practices. Critical Review of International Social and Political Philosophy, 1-24. doi:10.1080/13698230.2021.2020550
Simoniti, V. (2021) Art as Political Discourse, British Journal of Aesthetics, 61 (4), 559-574.
2020
Furman, K (2020) Emotions and Distrust in Science. International Journal of Philosophical Studies. 28:5, 713 – 730
Furman, K (2020) On Trusting Neighbours More Than Experts: An Ebola Case Study. Frontiers in Communication Science and Environmental Communication.
McKenna, R. (2020). Persuasion and Epistemic Paternalism. In Epistemic Paternalism: Conceptions, Justifications, and Implications. Eds. G. Axtell and A. Bernal. Rowman & Littlefield.
Schramme, T. (2020) "Properly a Subject of Contempt": The Role of Natural Penalties in Mill’s Liberal Thought, Journal of Social Philosophy, 51 (3), 2020, 391-409.
Image credit: Jennifer Vanderpool, Youngstown to Liverpool, 2020, 84"x 84", courtesy of the artist.
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