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Postgraduate research students

Get to know the postgraduate research students studying Music at the University of Liverpool.

  • Investigating the Persistence of the Underground in Dance Music Scenes

  • Function, properties and impact of the aesthetic of Age in the voice

  • Practice-based research into new methods of working with timbre

  • Music As Touch: rethinking the Composer-Performer-Audience hierarchy through a practice-based exploration of tactile approaches to music making and engagement

  • Music In Egyptian Gnostic Thought During Late Antiquity

  • Gender Equality in the German Music Industry

  • A New Synchresis: The Recontextualisation of Moving Image Media in Live Concert Performance

  • An examination of the extent to which New York City and its jazz scene are good vessels for Jewish expression today

  • Scores for Streamers: Netflix, Amazon, and the Role of the Film Music Composer

  • Music Theory YouTube: a critical examination of online audio-visual music theoretical discourses

  • Artistic Director at Milapfest

  • A Preacher’s Handbook: Song and Intellectual Culture in the English Miscellany London British Library Arundel MS 248

  • Shrinking the Divide: Cultural Reciprocity in Classical and Popular music

  • Digitization in Malaysia

  • Harmonic Language and Triadic Magic in the Last ‘Fantastic’ Operas by Nikolay Rimsky-Korsakov

  • Megan Rowlands

    Releasing Messiaen’s birds from their musical cages: Using Deleuzian theory to unlock new performance frameworks

  • Creating electronic music with a neurodiverse mind, (creativity with Autism/ADHD.)

  • Ambient music

  • The changing performance practices of 15th Century polyphonic music in the last hundred years

  • “Translations and Beyond”: on Developing Leginska’s The Haunting for Chinese Concert Audiences