Postgraduate research students

Investigating the Persistence of the Underground in Dance Music Scenes

Function, properties and impact of the aesthetic of Age in the voice

Practice-based research into new methods of working with timbre

Music As Touch: rethinking the Composer-Performer-Audience hierarchy through a practice-based exploration of tactile approaches to music making and engagement

Music In Egyptian Gnostic Thought During Late Antiquity

Gender Equality in the German Music Industry

A New Synchresis: The Recontextualisation of Moving Image Media in Live Concert Performance

An examination of the extent to which New York City and its jazz scene are good vessels for Jewish expression today

Scores for Streamers: Netflix, Amazon, and the Role of the Film Music Composer

Music Theory YouTube: a critical examination of online audio-visual music theoretical discourses

Artistic Director at Milapfest

A Preacher’s Handbook: Song and Intellectual Culture in the English Miscellany London British Library Arundel MS 248

Shrinking the Divide: Cultural Reciprocity in Classical and Popular music

Digitization in Malaysia

Harmonic Language and Triadic Magic in the Last ‘Fantastic’ Operas by Nikolay Rimsky-Korsakov

Releasing Messiaen’s birds from their musical cages: Using Deleuzian theory to unlock new performance frameworks

Creating electronic music with a neurodiverse mind, (creativity with Autism/ADHD.)

Ambient music

The changing performance practices of 15th Century polyphonic music in the last hundred years

“Translations and Beyond”: on Developing Leginska’s The Haunting for Chinese Concert Audiences