![Elodie Chousmer-Howelles holding a violin](https://www.liverpool.ac.uk/tulip-assets/events-images/66c71061ed98b.jpg)
Elodie Chousmer-Howelles and Stella Marie Lorenz
- The Tung Auditorium
- Admission: Free, booking required
- Event website
- Book now
Add this event to my calendar
Click on "Create a calendar file" and your browser will download a .ics file for this event.
Microsoft Outlook: Download the file, double-click it to open it in Outlook, then click on "Save & Close" to save it to your calendar. If that doesn't work go into Outlook, click on the File tab, then on Open & Export, then Open Calendar. Select your .ics file then click on "Save & Close".
Google Calendar: download the file, then go into your calendar. On the left where it says "Other calendars" click on the arrow icon and then click on Import calendar. Click on Browse and select the .ics file, then click on Import.
Apple Calendar: The file may open automatically with an option to save it to your calendar. If not, download the file, then you can either drag it to Calendar or import the file by going to File >Import > Import and choosing the .ics file.
One of Beethoven’s calmest violin sonatas, Sonata No. 6 in A major, is contrasted alongside the often neglected, tempestuous D minor violin sonata by Samuel Coleridge-Taylor. The programme closes with one of Amy Beach’s most luscious compositions: her Romance for violin and piano.
The centrepiece of this programme is the Violin Sonata in D minor by mixed-race British composer Samuel Coleridge-Taylor. During his lifetime he achieved much recognition, even hailed in the United States as ‘The Black Mahler’. However, after his death his name fell into obscurity. For many listeners this will be a wonderful introduction to his music, and to others already familiar with some of his more famous compositions, this may be a new discovery.
Another important element of this programme is the inclusion of a work by one America’s first most significant female classical composers. Amy Beach was a child prodigy who was discouraged from continuing her piano career upon marrying her husband. Living at a time when women’s voices were still largely suppressed, she became the first female composer to have her symphony published. The Romance is an incredibly fine example of her most lyrical and sensitive writing.
This programme should appeal to Beethoven fans but also to those with a romantic heart and an open curiosity to hear from under-represented composers.
Part of the Lunchtime Concert Series.
Presented in partnership with BlackFest.