INFORMATION - REFERENCE - BIBLIOGRAPHY
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Chadwick, Whitney: ‘Masking race matters: fetishizing fashion/fetishizing culture: Man Ray’s Noire et Blanche’ in Naomi Sawelson-Gorse (ed.): Women in Dada: essays on sex, gender and identity. Cambridge, Mass.; London: MIT Press, 1998; 686p., illus.; pp.294–329.
Fisher, Jean: ‘The syncretic turn: cross-cultural practices in the age of multiculturalism’, in Zoya Kocur and Simon Leung (eds.): Theory in contemporary art since 1985. Malden (Mass.); Oxford; Victoria: Blackwell Publishing, 2005; pp.233–41.
Gilroy, Paul: “Respeaking Othello in Fred Wilson’s Speak of Me as I Am,” in Citing Shakespeare: The Reinterpretation of Race in Contemporary Literature and Art. New York: Palgrave, 2007; pp.119–50.
Hooks, Bell: ‘An aesthetic of blackness: strange and oppositional’ in Diane Apostolos-Cappadona and Lucinda Ebersole (eds.): Women, creativity and the arts: critical and autobiographical perspectives. New York: Continuum, 1995; pp.75–86.
Julien, Isaac: ‘Isaac Julien: on film-making and black cultural musics’ in Cynthia Rose: Trade secrets: young British talents talk business. London: Thames & Hudson, 1999; pp.47–50.
Mercer, Kobena: ‘Tropes of the grotesque in the black Avant-Garde” in Kobena Mercer (ed.): Pop art and vernacular cultures: Annotating art’s histories. Cross-cultural perspectives in the visual arts, 3. London: Institute of International Visual Arts; Cambridge, Mass.: MIT Press, c2007; pp.136–59.
Oguibe, Olu: ‘In the “Heart of Darkness” in Zoya Kocur and Simon Leung (eds.): Theory in contemporary art since 1985. Malden (Mass.); Oxford; Victoria: Blackwell Publishing, 2005; pp.226–31.
Perry Gill: ‘Primitivism and the modern’ in Charles Harrison, Francis Frascina and Gill Perry: Primitivism, Cubism, abstraction: the early twentieth century. New Haven; London: Yale University Press in association with the Open University, 1993; Part 1 pp.3–85, illus. (some col.)
Rose, Cynthia: ‘Black punks re-write history: ragamuffins walk on the dark side’ in Cynthia Rose: Trade secrets: young British talents talk business. London: Thames & Hudson, 1999; pp.38–47.
Scharf, Aaron: ‘Return to Nature’, Unit 5 in A new beginning: primitivism and science in Post-Impressionist art; Return to nature. Milton Keynes: Open University Press, 1976; Unit 4 and 5; 79p., 43 illus. (15 col.)
Stephens, J.L.: ‘The Harlem Renaissance and the New Negro Movement’ in B. Murphy (ed.): The Cambridge companion to: American women playwrights. Cambridge, 1999.
Wainwright, Leon, ‘Art Forms’ and ‘Aubrey Williams’ in Alison Donnell ed. 2002 Companion to Contemporary Black British Culture London: Routledge, pp 15-16. ISBN: 0415169895
Wainwright, Leon, ‘At Northern Intersections Forever: Art and the Time Trap’, in Tejpal S. Ajji and Jon Soske eds. 2009 South-South Encounters: Conversations Between Africa, South Asia, and the Caribbean Justina M. Barnicke Gallery and South Asian Visual Arts Centre, University of Toronto, pp. 73-76. ISBN: 978-0772760685
Wainwright, Leon, ‘Bibliography’ in David A. Bailey, Ian Baucom and Sonia Boyce eds. 2005 Shades of Black: Assembling Black Arts in 1980s Britain London and North Carolina: Duke University Press and the
Institute of International Visual Arts, inIVA, pp 307-318. ISBN: 0822334208
Wainwright, Leon, ‘British Responses to Caribbean Art’ and ‘Aubrey Williams’ in David Dabydeen, John Gilmore and Cecily Jones eds. 2007 The Oxford Companion to Black British History, Oxford University Press, pp. 87-90, 527-528. ISBN: 0-19-280439-1
Wainwright, Leon, ‘Canon Questions on the Art of Black Britain’ in Gail Low and Marion Wynne-Davies eds. 2006 A Black British Canon? Basingstoke: Palgrave Macmillan, pp 143-167. ISBN: 1403942684
Wainwright, Leon, ‘Francis Newton Souza and Aubrey Williams: Entwined Art Histories at the End of Empire’ in Simon Faulkner and Anandi Ramamurthy eds. 2006 Visual Culture and Decolonisation in Britain Aldershot: Ashgate, pp 101-126. ISBN: 0754640027
Wainwright, Leon, ‘Labelling and Assembling: Histories and Challenges for an Asia Triennial’, in Fareda Khan, Alnoor Mitha and Jacques Rangasamy eds. 2009 Reflections and Revolutions: The Asia Triennial
Manchester Manchester: Shisha. ISBN: 978-0954556396
Wainwright, Leon, ‘Mutual Ground: Post-Empire Canons of Art in Britain and the Caribbean’ in Barbara Lalla and Jennifer Rahim eds. 2009 Beyond Borders: Cross-Culturalism and the Caribbean Canon Mona, Jamaica: University of the West Indies Press, pp. 116-148. ISBN: 9789766402167
Wainwright, Leon, ‘Speaking to Contemporary Art History: Denis Williams and Guyana’ in Charlotte Williams and Eve Williams eds. 2010 Denis Williams: A Life in Works. New and Collected Essays Amsterdam: Rodopi Press.