INFORMATION - REFERENCE - BIBLIOGRAPHY
Please use the alphabetic index to skip through to the relevant sections:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
A
Allegret, Marc: Zouzou. Paris, 1934; 85 min.; film starring Josephine Baker, screenplay by Pepito Abatino,
Andrade, Oswald de. ‘Manifesto Antropófago’ in Revista de Antropofagia, 1928, issue 1.
Araeen, Rasheed: ‘Afro-Caribbean art: an analysis’ in Black Phoenix, Summer 1978, no.2, pp30–2.
Araeen, Rasheed: ‘Preliminary notes for a black manifesto’ in Black Phoenix, Winter 1978, no.1, pp.3–12.
Araeen, Rasheed: ‘From primitivism to ethnic arts’, in Third text, Autumn 1987, no. 1, pp.6–25.
Archer-Straw, Petrine: ‘Black intentions’, in Art Review, Nov. 2000, vol. 52, pp.46–7.
B
Barnes, Albert C.: ‘Negro art, past and present’, in Opportunity: journal of Negro life, May 1926, vol. 4 no. 41, pp.148, 169.
Bianchi, Paolo: ‘3—hot spot Karibik’, in Kunstforum International, Jan./Mar. 2009, no. 195, p.85.
Black Orpheus: a journal of African and Afro-American literature, [(no.1) 1957]–
Bonami, Francesco: ‘Now is forever… again’, in Tate etc. Spring 2009, issue 15, pp.30–7.
Bourne, Kay: ‘Complex dialogue: art of Africa and the African diaspora’, in Art New England, Aug./Sept. 2004, vol. 25 no. 5, pp.18–20.
C
Clifford, James: ‘Diasporas’, in Cultural Anthropology, Aug. 1994, vol. 9 no. 3, pp.302–38.
Conwill, Kinshasha Holman: ‘In search of an “authentic” vision: decoding the appeal of the self-taught African-American artist’, in American Art, Autumn 1991, vol. 5 no. 4, pp.2–9.
D
E
Eden Gibson, Ann: ‘Diaspora and ritual: Norman Lewis’s civil rights paintings’, in Third Text, Winter 1989–99 – might be 98, vol. 13 issue 45, pp.29–44.
Edmondson, Locksley: ‘Aime Cesaire (1913–2008): Architect of Negritude’ in Nka, 2009, no. 24, pp.92–7.
Erickson, P: ‘The black atlantic in the twenty-first century: artistic passages, circulations, revisions’, in Nka, 2009, no. 24, pp.56–70.
Evans, Lucy: ‘The Black Atlantic: exploring Gilroy’s legacy’, in Atlantic Studies, 6.2, Aug. 2009, pp.255–68.
F
Fire!!: devoted to younger Negro artists. 1926
G
Gilroy, Paul: ‘David A. Bailey: from Britain, Barbados or both’, in Creative Camera, 1990, no. 2, pp.10–3.
Guillaume, Paul: ‘The triumph of ancient Negro art’ in Opportunity: journal of Negro life, May 1926, vol. 4 no. 41, pp.146–7.
H
I
J
Juan Jr, E San: ‘Aimé Césaire’s poetics of fugitive intervention’, in Third Text, Winter 2000–2001, vol. 14 issue 53, pp.3–17.
K
Kihm, Christophe: ‘Paul Gilroy: l’atlantique noir’, in Art Press, June 2003, no. 291, pp.56–9.
L
Laughlin, Nicholas: ‘Outside in’ [review of Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds, ed. Tim Barringer, Gillian Forrester, and Barbaro Martinez-Ruiz; Yale Centre for British Art, 2007], in The Caribbean Review of Books, Feb. 2008, pp. 36–43.
Laughlin, Nicholas: ‘An island is a world’ [review of Infinite Island: Contemporary Caribbean Art, curated by Tumelo Mosaka; Brooklyn Museum, Aug. 2007-Jan. 2008], in The Caribbean Review of Books, Nov. 2007, pp. 31–35, 45.
Laughlin, Nicholas: ‘What “Caribbean” can mean’, in Arts Journal [Guyana], Mar. 2006, vol. 2, no. 2, pp. 87-94.
Linsley, Robert: ‘Wifredo Lam: painter of negritude’, in Art History, Dec. 1988, vol. 11, pp.527–44.
M
Melas, Natalie: ‘Losing Cesaire’ in Nka, 2009, no. 24, pp.102–7.
Mercer, Kobena: ‘Art that is ethnic in inverted commas’, in Frieze, Nov.–Dec. 1995, issue 25, pp.38–41.
Mercer, Kobena: ‘Ethnicity and internationality: new British Art and diaspora based blackness’, in Third Text, Winter 1999–2000, vol. 13 issue 49, pp.51–62.
Mosquera, Gerado: ‘Good-bye identity, welcome difference: from Latin American art to art from Latin America’, in Third Text, Autumn 2001, vol. 15 issue 56, pp.25–32.
Munro, Thomas: ‘Primitive Negro sculpture’, in Opportunity: journal of Negro life, May 1926, vol. 4 no. 41, pp.150–2.
Murray, Derek Conrad: ‘Hip-hop vs. high art: notes on race as spectacle’, in Art Journal, Summer 2004, vol. 63 no. 2, pp.4–19. 2005
Murray, Derek Conrad: ‘Post post-black: some politically incorrect thoughts on the reception and contemplation of African-American Art’, in Art Journal, Winter 2007, vol. 66 no. 4, pp.112–4.
N
O
Ottenberg, Simon: ‘African art and culture in Maine’, in African Arts, Spring 2006, vol. 39 no. 1, pp.1,4,8,10,86–9,96.
P
Peffer, John: ‘Africa’s diasporas of images’, in Third Text, July 2005, vol. 19 issue 4, pp.339–55.
Peffer, John: ‘Notes on African art, history, and diasporas within’, in African Arts, Winter 2005, vol. 38 no. 4, pp.70–7, 95.
Q
R
Ratnam, Niru: ‘A colouring book’, in Frieze, Apr. 1997, issue 33, pp.39–40.
Roberts, Allen F.: ‘Is “Africa” obsolete?’, in African Arts, Spring 2000, vol. 33 no. 1, pp.1–9, 93–4.
S
Shelby, Tommie: ‘Cosmopolitanism, blackness, and utopia: a conversation with Paul Gilroy’, in Transition, 2008, Issue 98, pp.116–35.
Sims, John; Harris, Juliette (eds.): ‘Rhythm of structure: MathArt in the African diaspora [Special Issue]’: The International review of African American art, 2004, vol. 9 no. 3.
T
Tawadros, Gilane: ‘The revolution stripped bare...’, in Nka, Spring/Summer 2008., no. 22/23, pp.60–79.
Thompson, Krista A.: ‘Preoccupied with Haiti: the dream of diaspora in African American art, 1915–1942’, in American Art, Fall 2007, vol. 21 no. 3, pp.74–97.
U
V
W
Wainwright, Leon, ‘Apples and Grapes from Foreign’ in Andy Jacob ed. 2006 A Suitable Distance: Rex Dixon, Peter Doig, Kofi Kayiga, Chris Ofili and Roberta Stoddard Trinidad: Soft Box Studios. Exhibition catalogue essay.
Wainwright, Leon, ‘Art and Inclusion at Jamaica’s National Gallery: The 2004 National Biennial’, Jamaica Journal, vol. 29, nos. 1/2, June-October 2005, pp 18-25. ISSN: 0021-4124
Wainwright, Leon, ‘Aubrey Williams: A Painter in the Aftermath of Painting’, Wasafiri, vol. 24, no. 3, 2009, pp.65-79. ISSN: 0269-0055
Wainwright, Leon, ‘Aubrey Williams: Atlantic Fire’, in Reyahn King and The October Gallery eds. 2010 Aubrey Williams: Atlantic Fire National Museums Liverpool and October Gallery, London, pp. 46-55. ISBN: 978-1-899542-30-7. Exhibition catalogue essay.
Wainwright, Leon, ‘Aubrey Williams’s Art of Transnationalism: Entwining Histories at the End of Empire’, The Arts Journal, vol. 2, no. 2, March 2006, pp 116-139. ISSN: 1728-7723
Wainwright, Leon, ‘Back to Black: Art, Cinema and the Racial Imaginary’, Third Text, no. 76, 2006, pp 115-125. ISSN: 0952-8822
Wainwright, Leon, ‘Closer Encounters’, a review of the exhibition ‘Alien Nation’, ICA/inIVA, Third Text, no.87, vol. 21, issue 4, July 2007, pp. 466-468.
Wainwright, Leon, ‘Frank Bowling and the Appetite for British Pop’, Third Text, no. 91, March 2008, pp. 195-208, ISSN: 0952-8822
Wainwright, Leon, ‘History as a Topic for Visual Thinking: British Art of the Caribbean Diaspora’, Wadabagei, vol. 1, no. 4, Fall 2000, pp 44-76. ISSN: 1091-5753
Wainwright, Leon, ‘“Indian Art” in Trinidad? Ethnicity at Material Limits’, Creative Communications, vol. 2, nos. 1&2, 2007, pp. 163-188. ISSN: 0973-2586
Wainwright, Leon, with Laughlin, Nicholas, ‘Interrupting the Conversation: Trinidad’s StudioFilmClub’, 2005 http://www.triste-le-roi.blogspot.com/sfc.html (an earlier version appears in StudioFilmClub: Peter Doig, Museum Ludwig, Cologne, and Kunsthalle, Zurich: Verlag der Buchhandlung Walther König, ISBN 3-883-7594-1-4. Exhibition catalogue essay.)
Wainwright, Leon, ‘Introduction: Peter Doig and Chris Ofili in Conversation’, Bomb, No. 101, Fall 2007, p.32.
Wainwright, Leon, ‘Jamaica National Biennial: Contradictions in Coherence’, Art Fairs International, vol. 1, nos.5/6, 2005, pp 45-47.
Wainwright, Leon, ‘New Provincialisms: Curating Art of the African Diaspora’, Radical History Review, no. 103, Winter 2009, pp. 203-213. ISSN: 0163-6545
Wainwright, Leon, ‘No Turning Back’, Caribbean Review of Books, vol. 1, no. 6, November 2005, pp 16-20.
Wainwright, Leon, ‘On Being Unique: World Art and its British Institutions’, Visual Culture in Britain, vol. 10, no. 1, 2009, pp. 87-101. ISSN: 1471-4787
Wainwright, Leon, ‘Personhood and Presence’, in Johannes Phokela, Simon Mee Fine Art and Gallery Momo, London and Johannesburg, 2003. Exhibition catalogue essay.
Wainwright, Leon, with Laughlin, Nicholas, ‘Peter Doig: StudioFilmClub’, Modern Painters, March, 2006, pp. 66-67. ISSN: 0953-6698
Wainwright, Leon, ‘Race-ing Art History: Critical Readings in Race and Art History by Kymberly N. Pinder’, Journal of Visual Culture in Britain, Vol. 5, no. 2, 2004, pp 114-118. (Reprinted in Nukta: An Art Discourse, vol. 3, March 2006).
Wainwright, Leon, ‘Solving Caribbean Mysteries: Art, Embodiment and an Eye for the Tropics’, Small Axe, no. 25, March 2008, pp. 133-144. ISSN: 0799-0537
Walmsley, Anne: ‘The Caribbean Artist’s Movement, 1967–1972’ in Artrage, Winter 1987, no. 19, pp.35–8.
Winkiel, Laura: ‘Nancy Cunard’s “Negro” and the transnational politics of race’, in Modernism/ Modernity, Sept. 2006, vol. 13 no. 3, pp.507–30.
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